NIR Color vs ARK Infrared

Photography is the art of capturing light. Infrared photography, on the other hand, is the art of capturing invisible light. If your looking for something new and unique to add to your photography arsenal then you came to the right place NIR Color is truly beautiful, surreal and will transform ordinary landscapes into something magical and ethereal. NIR Color uses “near infrared” light technology, along with infrared “color” filters to add violet, blue, green, yellow, orange, and red colors, and all their combinations back into your image. The combination creates stunning imagery with otherworldly and mysteriously atmospheres. When using “NIR” everyday objects differ sharply from those of visible light. A blue sky can sometimes appear very dark, while foliage often turns light to create an amazing and chilling contrast. Not only will the contrast make your photo ‘pop’, it will also transform the original color to ones that are dreamy and surreal using our infrared “color” filters. The decision is in your hands to tone down the color to ones that are classy, clean, and contrasted. Or boost them to a dramatic color of your choosing taking your infrared photography to a completely different level. With NIR Color you can quickly see how incredibly beautiful the world can be in a different light. The world as seen using NIR Color is at once familiar and strange, using hues that are entirely different than those we actually see in reality. The eerie but seductive effects that NIR photographs bring to the table consist mostly of landscape shots, but on occasion portraits can be completely converted from what we recognize as normal into ones where skin tones turn pale and cold and eyes that go dark. This may lead you to shift gears from a normal pose into something that is wildly terrestrial. So give NIR Color a try and transcend your photo into a world where you and your viewer will be offered a chance to encounter a deeper connection to the story behind your photograph. NIR Color … • Works best on colorful landscape images • “Near Infrared” technology turns blue-sky dark and foliage light to make your image ‘pop’ • Infrared “Color” filters add violet, blue, green, yellow, orange, and red colors, and all their combinations back into the image to create a dreamy and surreal appearance. • Works with Hi-Res images and saves Hi-Res for top-quality results • Gets you started fast with a variety of presets • Creates personal-favorite custom presets using the "Save Preset" menu • Has the addictive JixiPix Randomizer – so much fun! • Easy-to-use slider controls to adjust light, contrast and texture just how you want it • Superfast preview mode to immediately see edit results, with large image rendered at save • You can save to the photo roll and/or email or post to Facebook. Share your masterpieces! •Superior customer support and updates – we're committed to your long-term satisfaction

ARK Infrared turns ordinary photos into infrared photographs, the way they would look on infrared film behind a real filter. The app reads the colours in your photo for the things infrared responds to: chlorophyll in leaves, blue light in the sky, the heat of tungsten lamps. From those it rebuilds the picture as infrared film would have recorded it. Leaves turn white and skies turn dark because of what is in the scene. EIGHT FILMS BW. Black-and-white infrared from 590 to 850 nm, in the manner of Kodak HIE: white foliage, dark skies, a soft glow around bright areas. The dial sets the filter wavelength. AERO. Kodak Aerochrome false colour. Vegetation turns red and neutral tones stay neutral. The dial moves through the Wratten filters photographers used with the real film, #12 to #25. NIGHT. Infrared at night. Tungsten lights blaze and foliage turns red against a black sky. The dial sets how far into red the film goes, and the app adjusts to each photo's white balance. MOON. Day for night. A daylight photo becomes a moonlit one, following how the eye sees in the dark: reds fade first, colour drains and the daytime sky turns to night. The dial sets how deep the night goes. NEG. The exposure before development: the scene as a camera sensor records it behind a deep red filter. Press and hold to develop the print. SAFELIGHT. The darkroom lamp. Warm surfaces glow red and everything else falls into blue dark. CYANO. The cyanotype, John Herschel's iron-blue print from 1842, in a blue measured from real prints. The dial sets the printing time. Hold the print to tone it to sepia and back to the original photo. COPPER TONE. The copper-toned print after Kodak's 1918 Tone A: a red image on white paper. The dial sets the toning time. Hold the print to see the silver print under the toner. VIDEO Load a clip and tune the film on its first frame. One key renders the whole clip through the same film. THE DECK An aluminium deck with a tuning ruler, an exposure dial and one red key, rendering live while you drag. Swipe the film name to change films. Tap the nameplate to read how infrared light works, with a chapter on each film and Herschel's experiment from 1800 that you can repeat with your finger. Exports are 10-bit HEIF up to 19 megapixels and keep the date, place and camera of the original. There is no account and no network access. Your photos stay on the device.