Steve Roach Immersion II vs SpaceFields

Immersion Station II brings you infinite ambient music, created from the soundworlds of ambient music pioneer Steve Roach. In this second version of Immersion Station, Steve draws from his recent atmospherics heard on the release Back to Life. Immersion II also makes use of the most recent Immersion Station, which includes support for iPhone 5, AirPlay and sharing via Twitter. Immersion Station is an elegant interactive sound immersion tool. Create infinite mix combinations from five different loops of varied lengths for endless playback. These sounds have been extracted from the heart of Steve Roach’s soundworlds and carefully chosen for a congruent relationship allowing the user to sculpt constantly changing ambient music. The Immersion Station interface and application, created by Software Artist Eric Freeman (working closely with Steve), allows you to mix loops using a simple, intuitive, interactive and organic interface that is reflective of Steve's work. You can visit http://www.immersionstation.com for a complete demonstration. FEATURES * Easily create custom soundscapes from Steve Roach's source loops * Includes 80 megabytes of loops custom crafted by Steve Roach * Includes four custom mixes from Steve Roach * Each mix provides constantly changing ambient music * Save your own mixes at any time * Use AirPlay to stream your music anywhere * Share your mixes with Twitter * Control the volume or stereo pan of each loop * Incubate new mixes using the evolve function * Plays music in the background * Optimized with HD Images for iPhone 4 and iPhone 5 * CD quality sound * Supports Apple's remote interface for controlling playback * User's guide provided in the App and online Recommended for headphones or external speakers.

Loop-based mangler effect to create slowly changing rhythmic sound structures in deep reverb space from any external sources or samples. Great for experimenting and designing ambient and noise backgrounds with rhythmic elements. The principle of the application is quite simple. It is based on a loop recorder with two loops. When one loop is recorded, the second is played back. When the loop recording stops, there is a smooth transition between them. Three separate outputs can playback the recorded loop with different pitches (speeds), each with its own effects and two automation generators. The mix of these outputs is fed to the convolution reverb. The reverb is packed with a set of long and deep sound spaces that create a blurry and ambient sound. But the main feature of this application is its well designed parameters that make it easy to experiment with a huge number of sound options using any source material from live instruments to synthesized sound. With just two parameters you can add complex rhythmic structures based on Euclidean rhythms, and easy-to-use automation generators with a randomize option to add variations to the sound, allowing you to modify parameters like an LFO or based on a given rhythm. The convolution reverb has advanced options with which you can change and extend the original reverb spaces. Even using the randomization options, in almost every case, you will get interesting and various soundscapes and textures. With these options it is very easy to create the basis for new unique presets. It only takes a little tweaking of some parameters to get impressive results. The loop recorder can be started and stopped manually or by input signal, can use fixed length or overwrite the loop while recording, and has the option for crossfade between the end and the beginning of the loop. All this makes it convenient for live use as well as when processing recorded material. As an extended option, you can use a special mode in which the application works as a direct effect, without the loop recorder. The special mode sampler is designed for quickly load samples and easy control of the application when used it live. This panel contains the input and output controls, essential controls of the loop recorder, and a large area with a recording counter, which is also used to start/stop the recorder. You can assign up to nine samples for fast loading into the loop, as well as save a recorded loop as a sample and to an external file. SpaceFields is a universal application for iOS and macOS. It can work on iPhone and iPad as well as Mac / MacBook with M1 chip (and later). SpaceFields works on iPhone and iPad standalone, as an Audio Unit or Inter-App Audio module, with supports Audiobus host app. On MacOS, SpaceFields can works both as a standalone application and as an Audio unit (AUv3) with DAWs and other hosts that support AUv3 plugins. All application features are available on iOS and macOS, including MIDI support (with a MIDI learn option), audio unit parameters and importing samples from any directory on device. SpaceFields has a built-in detailed description of all parameters also available as PDF file on the application site. Demos and previews: https://www.youtube.com/watch?v=cL1Dis3u0AQ https://www.youtube.com/watch?v=TpkWkc5I0uE https://www.youtube.com/watch?v=74LyfDM2dQM You can find more information on SpaceFields and other creative audio apps at: https://motion-soundscape.blogspot.com