True Pan vs spectwhirl

True Pan makes it possible to reposition stereo recordings while perfectly preserving the geometry of the stereo field. This allows for lossless, fully reversible panoramic rotations that don't compress the stereo image. The plugin also supports more intense transformations and modulation effects. True Pan can be used to: • Pan sounds that are rich in ambience or reverb without diminishing spatial information • Adjust stereo field recordings, freely rotate the entire sound field (e.g. to change what's in front) • Easily shift sonic perspectives of fx-rich, layered stereo instrument patches • Explore a new dimension of positional reverberation • Add subtle motion to, or "liven up" omnidirectional sounds (can also be used as a special chorus effect at higher rates) • Add a dynamic spatial quality to arpeggiated or rhythmic passages using the tempo sync feature with different LFO types • Apply stronger modulation for sound design and creative uses (creating warble, flutter or stereo tremolo and glitch effects) • Aid and speed up workflows for multi-mic setups When used as a post-processor for reverbs, True Pan can provide higher temporal density and smoothness than what pre-panned reverb inputs would allow. This directly translates to a better quality, but can also be viewed as a different physical setup of the sound source and the listener in relationship to the boundaries of the acoustic space. Thus it opens up additional degrees of freedom in positioning. The plugin's approach to quality preservation is best demonstrated by its ability to transform processed audio back to its original state, by applying a reverse rotation. The included stereo spread controls incorporate features that aim to minimize volume fluctuations by adapting to the actual input signal and its M/S gain distribution, including a fully dynamic adaptive mode, and a snapshot-based one. PLEASE NOTE: • An Audio Unit v3 compatible host app is required to use this plugin • Dual mono inputs from two microphones need to be converted to a single stereo signal in order to be processable

"bells and whistles, literally" spectwhirl is a hybrid spectral audio effect. It can extract and rearrange sinewave components from input signal to make new sound textures and bell-like sounds. * input sound is converted to sinewave components that are divided into 4 groups: harmonic, inharmonic, 12-edo and other * each component is fed into a delay line with feedback * there is a group of frequency shifter and sample-and-hold effects before and after delay lines * each set of sinewave components can be filtered * all the parameters can be instantly automated with gesture recording !!! Please note that this effect consumes much CPU and requires a modern device. ====================== Quick Start: Top row of controls enables different parts of user interface: scenes editor ("scene"), controls switch ("edit") and "zoom" controls When "edit" is switch on, you can show or hide various controls (marked as "ctrl") and switch gesture recording automation for some of them (marked with ">") Main control surface displays sonogram with tracked elements. Colors are set accordingly to the group they are assigned (red-orange-green-blue are for harmonic, inharmonic, 12-edo and others). Each "lane" contains delay time controls. * Triangle facing left is for the start locator, it determines initial delay time * Square moves both start and end locators together * When left locator is first moved you can see the right locator with the same triangle. It shows the end of the selected region, the secondary delay time is determined by the difference between left and right locators * if you drag over the area of the region in a lane, the four-dotted/one circle indicator will change its appearance; this changes the arpeggio mode of the region. If set to leftmost position (one circle) the components go in-sync; if set to maximum value (shown as diagonal line with circles) - components are played sequentially * all settings can be stored as "scene" and multiple scenes can be switched sequentially; there is a set of button to move, add and delete scenes. All scenes will be stored as machine state; it can be exported / imported as a single file or as separate file with current scene in the "setup" view The standalone version always starts with output level set to -70 dB to avoid feedback