Magic Tines vs LA Comp

GSi Magic Tines is a Hybrid Modeling emulation of a Tine Electric Piano. INSTRUMENT BACKGROUND The Rhodes Piano was invented during WWII by an american music teacher, Harold B. Rhodes (1910 - 2000), and has been widely used for decades in nearly every genre of music ranging from soul music to jazz, blues, modern and pop. This instrument quickly became a legend, and is still used today. In 2007 it had a first rebirth thanks to an American entrepreneur who tried to restore the glory to this instrument, so the Mark 7 was born, but unfortunately his venture failed after a few years. In 2021, a group of British entrepreneurs acquired the brand and put a revamped edition of this instrument back into production, the Mark 8. In digital territory, the sound of a Rhodes piano is an important part of every digital piano / keyboard / workstation, and is reproduced mainly using samples, and in a few cases using some kind of synthesis. The Crumar Seven is one example of a hardware digital piano that uses real Physical Modeling to recreate the sound of a Tine Piano, i.e. it doesn't use any samples to recreate the sound, just real-time math calculations. GSi Magic Tines uses a different approach, which consists in both sampling and modeling, whereas all attack and release transients come from recordings of real life electric pianos, and the body of each note is recreated by a special synthesizer that uses math functions to simulate the exact behavior of a steel tine being struck by a rubber hammer tip. What is excluded by the synthesis engine is compensated by the sampled material. In other words, the best of the two worlds. Main features - Hybrid Modeling engine (samples + synthesis) - Full Polyphony (up to 88 keys) - Three EP models to choose from - Parameters for adjusting both the sampled part and the synthesis part separately - Three band semi-parametric EQ - Mono or Stereo tremolo with opto-coupler panner - Amplifier simulation with 5 different models - Tube overdrive effect - Adjustable stereo chorus - Phaser effect with six different models - Stereo Delay effect - Stereo Reverb effect - User programmable Velocity curve - Built-in programmer with unlimited Programs - Embedded user's manual - Available as Stand-alone application and audio plugin - Very low CPU and RAM usage - AUv3 for iPad and iPhone - Supports Background audio and Bluetooth Midi

Legendary sound with a modern twist. LA Comp reimagines a studio classic with unmistakable vintage tone bringing in-depth control. Whether you're crafting silky vocal lines or adding punch to your mix, it's got the soul of a legend with a twist of modern-day flexibility. Optical dynamics with ease. With side-chain, auto-gain, and in-depth control over tube and optical elements, you’ll have everything you need to shape your sound in ways you never imagined. Mix anywhere. Anytime. From the studio to your mobile rig, LA Comp is ready. With VST3, AAX, AU, and AUv3 compatibility across macOS, Windows, iPhone, and iPad, your sound goes wherever inspiration strikes—without compromising quality or control. Features -10 included cross-platform presets for instant inspiration -Auto-Gain to keep the focus on your dynamics -Analog warmth and drive with three tube flavors: Vintage, Modern, and Stock -Gain reduction (Mono or Stereo) and calculation options (RMS or Peak) -Emphasis frequency control for tailored compression -Stereo spread for enhanced width and space -Side-chain input for creative mixing and shaping -Allows external audio device use Fully compatible with VST3, AAX, AU, and AUv3.* *AUv3 and standalone only on iOS. Mac/PC (Sold separately) required for VST3 and AAX.