SpatialCamera vs Plural

With SpatialCamera, you can begin capturing Spatial Photo and Spatial Video on iPhone as far back as the iPhone Xs*, save life’s precious moments in 3D, convert spatial video/photo into other 3D video/photo formats and relive those memories on XR headsets. **Spatial Capture** - Supports capturing spatial photos - Supports capturing spatial videos up to 4K and HDR format (on select devices) - Supports time-lapse mode - Supports launching Spatial Camera from the lock screen (iOS 18). - Supports camera control button (iPhone 16 series). **Image and Video Transcoding** - Supports conversion between traditional SBS, HOU formats and spatial photo/video formats - Supports batch transcoding - Supports 2D photo conversion to spatial photo (powered by on-device AI model) * Devices with better support for Spatial Capture iPhone 16 Series iPhone 15 Pro iPhone 15 Pro Max iPhone 12 iPhone 12 mini iPhone 11 iPad Pro 12.9-inch (6th generation) iPad Pro 12.9-inch (5th generation) iPad Pro 12.9-inch (4th generation) iPad Pro 11-inch (4th generation) iPad Pro 11-inch (3rd generation) iPad Pro 11-inch (2nd generation) *For other devices with different camera layouts, they will operate under the following compatibility modes: Compatibility Mode 1: Utilizes the telescope and wide-angle lenses for spatial capture, primarily focusing on the perspective of the telephoto lens.  Drawback: Requires maintaining a longer distance from the subject. Compatibility Mode 2: Rotates the device to keep the wide-angle and ultra-wide-angle lenses on the same horizontal line.  Drawback: The captured image will be cropped a lot. *AD: If you have an Apple Vision Pro, we invite you to try our newly launched, all-in-one local video player **SpatialVideos**, designed exclusively for visionOS. https://apps.apple.com/app/spatialvideos/id6450283181

Plural records from several iPhone cameras at the same time — and gives every one of them real manual control. Wide, ultra wide, telephoto and front: pick up to three, set each one up independently, and press record once. Every camera writes its own file, frame-aligned from the same start, ready to cut together. MULTI-CAMERA, FULL MANUAL • Simultaneous recording from multiple cameras on supported iPhones • Per-camera focus, ISO, shutter and exposure compensation • Shutter- and ISO-priority semi-auto modes, or full manual • Shutter shown in seconds or degrees, up to a full 360° • White balance matched across the back lenses so cuts line up • Tap to focus and expose, respecting whatever you have locked PRO FORMATS • HEVC and H.264 with quality tiers, plus advanced encoding controls • ProRes (Proxy to 4444 XQ) and ProRes RAW on supported models • Apple Log, Apple Log 2, HLG and Dolby Vision HDR • 23.98, 29.97 and 59.94 fps recorded at the true NTSC rate, with drop-frame timecode • High-frame-rate capture with slow-motion conform, plus interval time-lapse • Record straight to an external SSD over USB-C MONITORING • Waveform, histogram, zebras, false color and focus peaking • Official Log-to-Rec.709 preview LUTs • Frame guides (2.39, 1.85, 9:16, 4:3, 1:1), grids and a level • Anamorphic de-squeeze preview (1.33×, 1.55×, 1.75×) • Picture-in-picture monitors for the other cameras • Clean HDMI feed or mirrored monitor on an external display • Always-on timecode, audio meters, battery and storage readouts BUILT FOR THE IPHONE IN YOUR HAND • Camera Control on iPhone 16 and later • Launch straight from the Lock Screen and record without unlocking (iOS 18 or later) • Lens, focal length, iris and GPS metadata that Final Cut Pro understands • No account, no tracking, no servers Terms of Use (EULA): https://www.apple.com/legal/internet-services/itunes/dev/stdeula/