BLEASS Arpeggiator vs Relic Waves

A new and unique Arpeggiator by BLEASS & Canblaster. Use it as a MIDI FX to control any synth or as an AUv3 Instrument thanks to its built-in FM Synth! BLEASS Arpeggiator takes the inspirationally melodic power of a classic synth arpeggiator and supercharges it with modern features demanded by today’s musicians. Developed in collaboration with top French producer Canblaster, BLEASS Arpeggiator’s capabilities extend far beyond the clichéd up-and-down monophonic patterns of an old-school synth arpeggiator, with polyrhythms, polyphony, and a large collection of highly configurable arpeggio patterns built in. The focus of BLEASS Arpeggiator is creativity and experimentation. The plugin’s hands-on user interface is as intuitive and spontaneous to use as a classic subtractive synth, so varying and adapting arpeggios on-the-fly is an easy, fun and organic experience. The plugin recognises incoming performance controllers, and includes a pair of XY pads, a pair of advanced LFOs and BLEASS’ signature Motion Sequencer. These can modulate the arpeggiator’s parameters, unlocking a deep level of creativity that is simply not available from modern step-sequencer-style arpeggiators. BLEASS Arpeggiator also offers a built-in sound generator. This is a cut-down yet great-sounding FM synth that’s perfect for creating bright, sweet and punchy sounds that can work well with an arpeggio line. You can of course use BLEASS Arpeggiator with any other synth too, with each instance of the plugin creating its own MIDI source that can be routed to any instrument within your project. More information, technical specifications and tutorials available on https://www.bleass.com/arpeggiator BLEASS Arpeggiator is available as an AUv3 plugin or standalone App. BLEASS Arpeggiator is also available for Windows, and macOS.

Relic Waves is a generator of Lo-Fi noises, pads and effects based on unique synthesis algorithms from NightRadio. More than 4 billion samples from the depths of the Mathematical Universe! Features: * search for new sounds with three buttons: next random set, edit code, previous set; each set of 12 sounds corresponds to a code of 8 characters; * three types of keyboards for live performing: on-screen buttons, PC keyboard, MIDI input; * several processing parameters + control via MIDI; * real-time audio recording to WAV (32-bit); * export to: WAV (one file or a set), SunVox (samples + effects in one file), text clipboard; * the LCK button freezes individual samples - they will not change during the search for new sets; * iOS Audio Unit Extension (AUv3). Double clicking on a parameter opens a window for setting the exact value. If you enable the Hold option, the notes will play endlessly, without reacting to key release (noteOff) events; turning the note on again works like turning it off; there are two ways to enable this option: 1) using the Hold parameter in the "MIDI Mapping" window; 2) by pressing the HOLD button, which appears in place of LCK while playing the musical keyboard: press HOLD, release the desired notes - then the released notes will continue to play.