Mid vs GSDSP Quantum Delay

Ever wonder what lies between the L/R and M/S representations? Mid-Side Continuum extends the definition of mid-side encoding to create a smooth, continuous interval allowing in-between values and gradual changes. Channel mode switches can now be turned into faders, opening up new modulation possibilities as well. The algorithm used by the plugin is a true extension of the mid-side encoder/decoder concept and doesn't involve any cross-fading or other artificial constructs. The plugin can be used in two ways: • In standalone mode, as a width-preserving panning effect, or a special modulation effect for spatially balanced sounds • In paired mode, allowing other effects to operate anywhere between L/R and M/S modes, with modulation options available FEATURES: • Provides a new kind of spatial modulation effect for stereo signals • Can be used as a panner that doesn't squash wide components (existing ambience, reverb, stereo FX), strongly panning narrow parts at the same time • A great companion for delays or delay-based effects: explore adding space or change the panoramic character without re-configuring delay taps • Turn any stereo effect or effects chain into a M/S one (or any graduation on the L/R - M/S curve), by sandwiching them between a pair of Mid-Side Continuum instances • Unlike panning, stereo panning, or binaural panning, Mid-Side Continuum preserves the exact geometry of the stereo field by using a lossless transform • Higher rates of change can be used to create additional kinds of effects (chorus, warble/flutter), depending on the width characteristics of the original input • A tempo sync capable LFO is available to add automatic modulation; the LFO phase can be offset to allow precise timing control and alignment THE PANNER FOR REVERB-RICH SOUNDS: Panning high-ambience and reverb-rich sounds need no longer result in squashed stereo images. The exact, full width of the stereo field is preserved when using Mid-Side Continuum as a panning tool. Unlike binaural panning, the overall stereo frequency response is kept maximally flat, thanks to the used algorithm's audio engineering-focused feature set. In fact, Mid-Side Continuum's algorithm is a lossless, completely reversible one (based on True Pan's technology). WRAP ANY EFFECT TO CHANGE / MODULATE THEIR STEREO MODE: Two Mid-Side Continuum instances can be conveniently linked in a way that the second one cancels out the transformation, restoring the original sound. Once linked, the second plugin will automatically re-align if parameters are changed in the first one, without missing a single sample. Between these two points, any number of audio effects can be inserted, all of which will receive the transformed signal instead of the original L/R one. This setup can be used in multiple ways: either to just turn any stereo plugin into a M/S one, or to modulate the stereo field of the wet signals (while keeping the dry signal intact) without the need for setting up additional routing, thus keeping tracks neatly self-contained. VERSATILE EXTENSION TO DELAY-BASED EFFECTS: • Alter stereo delay patterns or turn a mono multi-tap delay into a stereo one on the fly • Instead of having to choose from the two, explore any setting between L/R and M/S delay modes to select the best-fitting stereo response • Remove excessive L/R slappiness without losing any stereo width by spatially equalizing the delay output, filling in directions not populated by L/R taps • Improve the clarity of the mid channel / mono mix when combining panned delays with shorter notes or more rhythmic passages • Lessen any "clockwork-like" quality of panned delays that may be experienced with some instruments or passages • Change or fine-tune delay patterns that emerge in the mono mix when using stereo delays PLEASE NOTE: • An Audio Unit v3 compatible host app is required to use this plugin

A vintage-inspired delay supercharged with deep modulation, flexible filtering, and creative timing that pushes echoes into new dimensions. Classic Delay, Reinvented Quantum Delay takes the charm of a vintage stereo delay and fuses it with our next-level modulation system. Switch between the warm character of Tape mode and the pristine clarity of Fade mode, lock to BPM (including 5-tuplets) or dial in precise times in milliseconds. Use the Fine control for subtle push-and-pull micro-timing — or modulate your delay lines in ways traditional delays could only dream of. Sculpted Echoes Shape your repeats with switchable lowpass, highpass, and bandpass filters placed directly in the feedback path. Add modulation to create evolving tones, gentle movement, or drifting, frequency-shifting echoes. From warm analog-style rolls to shimmering, swirling textures, it’s all there. Feedback with Precision Control your delay tail behavior using either traditional % feedback or our modern dB-per-second decay system — ideal for predictable, musical decay even when the feedback path becomes complex. Enable Crossfeed for classic ping-pong stereo bounce, or push into Over-Feedback to create dense, self-building echoes that drift toward infinity. Stereo or Dual Mono Every section of Quantum Delay — delay, filter, and feedback — can switch between stereo and dual mono modes. Create tight, controlled stereo images or break them apart for wide, offset, unpredictable spaces. Dual mono modulation unlocks complex stereo interplay and beautifully asymmetric echoes. Modulation Without Limits Quantum Delay integrates our advanced modulation system, letting you modulate nearly anything: delay time, filters, feedback parameters, stereo controls, and more. Use LFOs, Random Generators, 2D modulators, Envelope Followers, Macros, and even chaotic systems to push your echoes far beyond traditional delay behavior. Or use our parameter randomisation feature to explore the plugin’s sound at random. Quantum Delay is an AUv3 audio effect plugin compatible with Logic Pro, AUM, Cubasis, GarageBand and many more. A Desktop version is also available for Windows and macOS (VST3 / AU / AAX). More information here: https://gs-dsp.com/products