Mid vs BLEASS Multiband Compressor

Ever wonder what lies between the L/R and M/S representations? Mid-Side Continuum extends the definition of mid-side encoding to create a smooth, continuous interval allowing in-between values and gradual changes. Channel mode switches can now be turned into faders, opening up new modulation possibilities as well. The algorithm used by the plugin is a true extension of the mid-side encoder/decoder concept and doesn't involve any cross-fading or other artificial constructs. The plugin can be used in two ways: • In standalone mode, as a width-preserving panning effect, or a special modulation effect for spatially balanced sounds • In paired mode, allowing other effects to operate anywhere between L/R and M/S modes, with modulation options available FEATURES: • Provides a new kind of spatial modulation effect for stereo signals • Can be used as a panner that doesn't squash wide components (existing ambience, reverb, stereo FX), strongly panning narrow parts at the same time • A great companion for delays or delay-based effects: explore adding space or change the panoramic character without re-configuring delay taps • Turn any stereo effect or effects chain into a M/S one (or any graduation on the L/R - M/S curve), by sandwiching them between a pair of Mid-Side Continuum instances • Unlike panning, stereo panning, or binaural panning, Mid-Side Continuum preserves the exact geometry of the stereo field by using a lossless transform • Higher rates of change can be used to create additional kinds of effects (chorus, warble/flutter), depending on the width characteristics of the original input • A tempo sync capable LFO is available to add automatic modulation; the LFO phase can be offset to allow precise timing control and alignment THE PANNER FOR REVERB-RICH SOUNDS: Panning high-ambience and reverb-rich sounds need no longer result in squashed stereo images. The exact, full width of the stereo field is preserved when using Mid-Side Continuum as a panning tool. Unlike binaural panning, the overall stereo frequency response is kept maximally flat, thanks to the used algorithm's audio engineering-focused feature set. In fact, Mid-Side Continuum's algorithm is a lossless, completely reversible one (based on True Pan's technology). WRAP ANY EFFECT TO CHANGE / MODULATE THEIR STEREO MODE: Two Mid-Side Continuum instances can be conveniently linked in a way that the second one cancels out the transformation, restoring the original sound. Once linked, the second plugin will automatically re-align if parameters are changed in the first one, without missing a single sample. Between these two points, any number of audio effects can be inserted, all of which will receive the transformed signal instead of the original L/R one. This setup can be used in multiple ways: either to just turn any stereo plugin into a M/S one, or to modulate the stereo field of the wet signals (while keeping the dry signal intact) without the need for setting up additional routing, thus keeping tracks neatly self-contained. VERSATILE EXTENSION TO DELAY-BASED EFFECTS: • Alter stereo delay patterns or turn a mono multi-tap delay into a stereo one on the fly • Instead of having to choose from the two, explore any setting between L/R and M/S delay modes to select the best-fitting stereo response • Remove excessive L/R slappiness without losing any stereo width by spatially equalizing the delay output, filling in directions not populated by L/R taps • Improve the clarity of the mid channel / mono mix when combining panned delays with shorter notes or more rhythmic passages • Lessen any "clockwork-like" quality of panned delays that may be experienced with some instruments or passages • Change or fine-tune delay patterns that emerge in the mono mix when using stereo delays PLEASE NOTE: • An Audio Unit v3 compatible host app is required to use this plugin

BLEASS Multiband Compressor is the perfect tool for injecting loudness, power and punch into your mixes, stems and tracks. Whether you are creating music on-the-move on your iPad, producing your masterpiece in the studio, or doing both, BLEASS Multiband Compressor dispenses detailed precision control over your music's dynamics. One of the secret weapons of professional mix and mastering engineers, multiband dynamics processors have various advantages over conventional broadband processors. By separating your audio into three frequency bands, and processing each independently, BLEASS Multiband Compressor ensures that loud passages and transients in one frequency range do not impact on how the other bands behave. This eliminates the "volume pumping" effect often exhibited by broadband compressors, making BLEASS Multiband Compressor the perfect tool for processing drum kits, synths, pianos and – of course – full mixes and stems. The plugin works brilliantly with other sources too, from solo instruments to vocals and spoken voice. Unusually for a multiband processor, each of BLEASS Multiband Compressor's three bands features a dual stage dynamics processor. This consists of an Above stage that senses for and processes signals whose level exceeds the Above threshold, and a Below stage that senses for and processes signals that are quieter than the Below threshold. Additionally, each stage can operate as either a compressor or, by dialing in Ratio values below 1:1, an expander. Altogether this makes for phenomenally versatile control over the volume and loudness of your mixes, stems and parts. Another innovative feature of BLEASS Multiband Compressor is its flexible sidechain system. This allows you to choose which bands will key from the input signal in the normal way, and which will key from a filtered and/or external signal. This is ideal for corrective work such as controlling resonances, sibilances and other unwanted artefacts, but is also a fabulous creative tool, allowing for stylish ducking effects and ultra-deep dynamics control. Rounding things off, the plugin provides comprehensive output level and dry / wet balance control, along with a soft clipping feature that ensures overly-hot signals don't become nasty and harsh, but instead take on a classic valve-like saturation character. BLEASS Multiband Compressor stands out for its great sound, innovative features, versatile dynamics control, and exceptional efficiency. More information on https://www.bleass.com/multibandcompressor