Secta vs Weeping Wall

Secta is an audio effect that dynamically splits incoming audio in two sections and processes each with an exclusive kit of effects, sculpting silence, shaping accents and amplifying hidden details, guiding each layer into a parallel sonic dimension.  A sound-designer (unforeseen) dream. Secta is part of totem/ series by K-Devices: unconventional audio effects coming in a compact format, easy to use, at a lower, convenient price. Building on the concept of a multidimensional gate, Secta processes the audio in a unique way, adding an ephemeral and dramatic touch to acoustic instruments, warmly disintegrating loops, injecting abrupt drops and re-texturizing your lines, or throwing down any beat into a dark path of fragmentation. Hard-to-describe with classic effect categories, Secta processes both sides of a gated source independently, acting as a counterpoint amplitude sculptor.
  Secta cuts to (re)generate.  Secta is a colorizer, no mix parameters are available: just load Secta onto your track and let it inspire you with its timbrical shades.  A gate, a dynamic multi-distortion, a double headed tectonic monster, a trembling detuned textures generator, and more… so many uses of Secta have yet to be discovered! HOW IT WORKS At first, Secta splits the incoming signal acting as a gate effect: the user sets an amplitude threshold using the Verge and Boost parameters. The signal’s amplitude portion greater than the threshold value generates an envelope which controls the Above and Below sections. The envelope itself controls the frequency of a lowpass filter in the Above section (resulting similar to a lowpass gate), while its inverse value controls the amplitude of the Below section. Such envelope can be shaped using several global parameters: Smooth, Retain, and S/C. Above and Below sections process sounds using a different set of effects each: the more rumbling Above, the more textural and looney Below. Using one section at a time holds interesting sculpting results, while combining and balancing them is great for creating richer textures. SHAPE THE ENVELOPE /// Set Verge and Boost to create the envelope that will control Above and Below; use Smooth and Mode to shape it in different ways. 2 WORLDS /// Above and Below, two sides of the same sound, individual paths (different effects and moods), which eventually converge in a new sonic entity. SCULPT /// Above and Below sections come with Drive and Lo/Hi pass filter the get the perfect shape for any sound project. MANDATORY PROCESS /// No dry/wet here: embrace the totem wisdom and get processed! LOCK PARAMETERS /// Enable lock toggle to preserve key parameters values while browsing presets. IN-GUI INFOS /// Enable Infos toggle to get all parameters details always in sight; just tap on a parameter. 2 FLAVOURS /// Dark and light skin. *** Please note: Secta is an Audio Unit extension (AUv3) – it only works in an AUv3 host app like AUM, Logic, Drambo, Cubasis, etc... ***

Weeping Wall is a standalone app and AUv3 plug-in. WW is a set of microloopers that automatically record based on input detection. Each new sound will be smoothly introduced and replace older sounds, resulting in a group of sounds that always reflect the most recent input. Each looper behaves independently - their size can vary and they will beat against each other as they phase. Up to 5 loopers are available to record into, with repitching and reverse controls as well. A dedicated “jitter” control allows you to randomly vary the size of each looper on each loop, creating variations that will never be heard again. Weeping Wall can be used as an effect directly on a track, or as a send effect. WW is intended to be a modular tool; it doesn’t include reverb, EQ, saturation, flutter, etc., but it plays extremely well with them. WW is a brand new effect that can be used in any number of creative ways - you can place it fully wet in front of a reverb, place a hint of it behind a saturator, combine it with your favorite pitch modulation - whatever you can dream. WW is fully compatible with automation and modulators such as Ableton CV to broaden the horizons even further. Weeping Wall has the following controls available: Threshold: The volume at which input will start recording into a looper. Looper size: The size of loopers, in seconds, from 0.1s to 3s. Jitter: A control for desynchronizing loops. Loops will be randomly shortened, and each one is free to change size independent of one another. Semitones: Repitch loops, with a range of +/- one octave. Reverse: A latching control to reverse looper playback. Looper number: Up to five loopers are available. Hold time: How long loops will be held before fading away, from seconds to forever. This essentially controls whether WW functions more as a looper or as a delay. Independent dry and wet volumes: Use WW as an effect directly on your track, or as a send effect. Beat syncing: Loopers can be synced to your tempo, from 1 whole measure to 1/64th notes. Macro-looper mode: Loops can grow to up to 60 seconds in length. Transport syncing: Loopers can be paused or destroyed on pause. Live performance mode: Enables a button-based UI designed with live performance in mind. Random skip: Loops can be randomly skipped over with some probability. Crossfade length: Control the length of the crossfade occurring at the start/end of each loop to keep sharper transients or smooth them off. Fade time: Control how long loops take to fade in/out. Filters: The wet channel can be high or low pass filtered for dialing in your sound.