AD 480 basic vs Tonic FX

Pro quality studio reverb effect. - Use it with Audiobus and Interapp Audio. The AD 480 basic is the small brother of the AD 480 pro, the ultimate reverb for your iDevice (more about the AD 480 pro below). Features: - one hour trial period of the pro features - professional reverb sound effect with variable room size - 4 beautiful acoustic spaces with the possibility to tweak all parameters - extensive filter layout for a wide spectrum of sound - supports internal and external (USB class compliant or MFi) audio interfaces - full Audiobus 2 integration (input, filter and output position) - Interapp Audio Support - Dynamic Upgrade (AD 480 basic is automatically upgraded to pro features when AD 480 pro is installed) - InApp Purchase for upgrading to AD 480 pro ____________________________________________ ABOUT THE AD 480 pro: Pro quality studio reverb. - Use it with Audiobus, Inter-app Audio, iTunes music library and multichannel audio interfaces. Enhance and enrich your recordings and live sound with the perfect sonic texture of your choice. Record, process and export directly for lightning fast creative work! The AD 480 delivers a realistic acoustic sound with a fine sonic character in best studio quality. From small boxes to the Grand Canyon – practically any size and shape is possible. The highly intuitive user interface is designed from the ground up for today’s touch screens. It gives you quick and responsive access to all parameters and on the iPad it offers a special graphics mode (stage mode) for low light environments. The MIDI functions let you fully remote control / automate the AD 480 and the audio routing matrix gives you greatest flexibility in a multi app / multi channel environment. Features: - professional reverb sound effect with variable room size - InterApp Audio Support - 108 beautiful presets - professional preset management for MIDI, audio routing and reverb settings - extensive filter layout for a wide spectrum of sound - supports internal and external (USB class compliant or MFi) audio interfaces - routing matrix, which supports up to 24 input and 24 output channels - full Audiobus 2 integration (input, filter and output position) with State Saving - supports full MIDI communication via network and USB-MIDI interfaces, as well as inter-app MIDI - supports sample rates of 44.1 kHz - 96 kHz - latencies down to 64 samples - special low-light mode for live use on stage ("stage mode", iPad only) - background audio for multitasking with other apps - Audio Recording, Playback, Offline Processing - Audio Import & Export via AudioCopy/AudioPaste/AudioShare - Dynamic Upgrade (AD 480 free & AD 480 basic are automatically upgraded to pro features when AD 480 pro is installed) - Itunes Library Access for preset sharing - Itunes Music playback ======= “I’ve just played with it and I have to say I’m impressed. I’m not a sound designer but your presets seem to do exactly what their names imply. AD 480 should be really useful for a lot of folks out there!” Sebastian Dittmann Audiobus Software ======= The AD 480 pro was rated "killer app" on Apps4iDevices.com. Read everything at http://apps4idevices.com/read/ad-480-pro.html ======= more info, audio demos, video demos and manual on: fiedler-audio.com

Thirty-four effects. One tap to add each one — and the order of the chain is yours. Tonic FX is the Tonic effects rack in an app of its own, focused and affordable — an Audio Unit (AU and AUv3) effect in GarageBand, Logic, AUM, Cubasis, Drambo and any host, and a standalone app that processes your microphone or line input. A RACK YOU BUILD — AND REORDER Every effect has its own on/off, grouped by category: add one with a tap, then drag the cards to rearrange the chain. The order is saved with the preset. THIRTY-FOUR EFFECTS • Drive — Overdrive, Distortion (hard, asymmetric and fuzz), Amp Sim with 6 models and cabinet, Wavefolder/Fuzz, Bitcrush, Ring Modulator and Lo-Fi/Vinyl. • Modulation — an 8-mode Chorus (vintage through string ensemble), a Phaser with four voicings, from the gentle 4-stage pedal to a slow 10-stage pad sweep, Flanger, Vibrato, Detune, Pitch Shifter/Harmonizer, Throb (the pulsing vibrato of the sixties) and Frequency Shifter. • Motion — a two-rotor Rotary cabinet, Auto-Pan, Tremolo, a Stereo Widener with a mono maker that keeps the bass centred, a Pedal Wah you can put under an expression pedal, and the Trance Gate, with a draw-your-own-rhythm mode. • Time — a tempo-syncable ping-pong Delay, with Wow and Sat for tape character; a Reverb with nine spaces: room, hall, cathedral, plate, spring, shimmer, cloud, gated and swell — plus Freeze, to hold a chord and play over it; Reverse, which plays back what you just played backwards; and Call & Response, which listens to your phrase and answers in the gap. • Dynamics & EQ — Compressor, Limiter, Noise Gate, De-esser, a musical 5-band EQ and a 12-band graphic EQ, each with eight one-tap starting points you can overwrite with your own. Compressor, gate, de-esser and limiter show how much they are holding, in dB. • Vocal — Voice, a whole vocal channel behind one knob: low cut, gate, de-esser, compressor and sheen, all in the right measure; and the Doubler, which simulates two or four voices singing along. • Filter — an Auto-Wah that breathes with your playing, always first in the chain. BUILT FOR PLAYING Full MIDI Learn maps any hardware knob to any control, including the from–to range for an expression pedal. Tempo sync from your host keeps delay and modulation in time. Colour-coded scenes A–F, a preset library with favourites, and factory presets to get started fast. A tactile "pro hardware" interface, native on iPhone, iPad and Mac. Thanks for playing with RSJB — made by musicians, for musicians! Follow what's new at www.rsjb.com.br