Laney vs BitClip

Laney Digbeth A widely-known, acclaimed FET/Tube bass amp for modern players looking for vintage sound. What’s inside - Stomp section with 4 pedals with adjustable processing order. - Cab section with 3 Laney cabs and an array of mic options. - Output section with full 10-band graphic EQ and a limiter. - Full parallel processing with adjustable section order. - FX section (EQ, maximizer, and 2 limiters). - FET / TUBE preamp channels (mixable). - Bass dynamics section with sidechain. - 3-band EQ with 4 mid-band modes. - Mammoth processing section. Stomp Section Three pedals from Black Country Customs: - The 85 Bass-interval a bass octave pedal with two parallel octaver modes. - The Custard Factory bass compressor pedal with three modes. - Blackheath distortion pedal with 2 distortion modes and an overdrive. Fourth pedal is addition from Aurora DSP: - Gamma Burst Bass-tortion three channels of drive with various characters. The Amp Digital recreation of the legendary 500 watt Digbeth bass head, with all its features: - FET / TUBE preamp channels with option to mix both of them. - 3-band EQ with 4 mid-band modes for different characteristics. - TILT "EQ Seesaw" knob for an all-around tonal adjustment. Cab section - Four mics to choose from, for diverse tonal characters. - Tone mixer for sound shaping and balancing. - External IR loader. - Three powerful and dynamic Laney cab models: 
-DBV212-4 
-DBV410-4 
-DBV810-4 FX rack Signal chain designed specifically for bass guitars, combining top-tier analog modeling and digital processing to deliver a powerful, punchy, and refined bass sound. This rack is built with the following iconic modules: - 10-band EQ A classic graphic EQ, with 10 bands of +/- 12dB gain, proportional Q and VU meters. Enhanced with an additional drive module for vintage saturation. - Sonic optimizer An advanced signal processor for adjusting the character of the sound. Useful for improving the low-end definition, adding some high-end clarity, as well as adjusting the overall feel. - Limiting amplifier Based on a legendary FET compressor/limiter known for its fast attack times and transparent compression widely used in studios for bass to achieve punchy and smooth dynamics. - Leveling amplifier Modeled after an optical tube-based compressor with a warm, smooth character. With a slow attack and release, it's a favorite for bass processing, due to its natural-sounding compression. BASS DYNAMICS - An adjustable compressor with a filtered sidechain. - "Placement" options for fitting the low-end better into the mix. IN - Crossover with 3 different modes and adjustable frequency (and an option to disable parallel processing completely). - Low-cut and high-cut filtering. OUT - Bass/Treble mixer for controlling the levels after the parallel processing. - Slam limiter for final dynamics adjustments. - Full 10-band graphic EQ. Additional features: - Noise gate - Tuner - Metronome - Built-in recorder for capturing riffs - Cross-platform preset sharing - Studio environment mode for headphones with control room simulation Available in AUv3 and standalone

BitClip Bit Crusher / Soft Clipper Plugin (AUv3) BitClip is an audio effect plugin that can run standalone, or in any AU compatible host application such as Logic or GarageBand. Overview BitClip combines bit-crushing and soft-clipping to create lo-fi distortion effects. From subtle, retro degradation, to gnarly diode-emulated distortion, BitClip can deliver, with a very low CPU cost! In "Warm" mode, BitClip's DSP has been tuned to mimic the sound of actual hardware, instead of just performing a simple bit-crush calculation. As a result, some of the higher frequencies normally associated with the effect are attenuated. Both effects work well in tandem, especially when trying to bring the character of old hardware samplers and drum machines to sounds that would otherwise be too "pristine". Parameters Active - Set to Off for bypass / no processing. Warm mode adds a bit of vintage character to the processing, attenuating some high frequencies, although this is not a simple LPF. Bright mode essentially bypasses the Warm mode processing with no added tonal colouration. Out - Sets the output level. This can be used to attenuate the overall volume of the effect. For example, you can smash the Gain going into the clipper, then back-off the Out level so the track doesn't dominate your mix. At the maximum setting, no attenuation is applied. Crush - Toggles bit-crushing On or Off. Depth - Sets the desired bit-depth of the crushing from 16 Bit down to 4 Bit in 1 Bit intervals. In vintage hardware, devices would often be 8 or 12 Bit, whereas BitClip allows you to explore unusual values in-between. For example, 5 Bit provides much more clarity than 4 Bit, but can still sound satisfyingly crunchy! Clip - Toggles soft-clipping On or Off. Gain - Sets the gain applied to the signal going into the soft-clipper. Depending on the level of the incoming signal, lower settings may not sound obvious, but clipping will still occur, creating a subtle distortion effect and preventing any signal through that's over 0dB. With up to 48dB of gain on tap, BitClip can drive pretty much anything into nasty diode-like distortion! For more info and support please visit: www.waverley-instruments.com/robjackson