Circa Looper vs Fauve

Circa runs as a standalone app, or as an AUv3 plugin in hosts such as GarageBand, Logic, AUM and Cubase. Equal parts workhorse and abstract creative tool, Circa is a six track multi-layer looping environment that can do most of the things your popular floor pedal looper can while also paying homage to the serendipitous world of ambient looping. Each layer can sync to the host, a master loop, or free run, and can be triggered in sync, with an audio signal, or freely. Circa has seven stereo outputs (including a dedicated cue output for monitoring) and built-in reverb and delay. Add in a complete MIDI control and LFO modulation system and Circa is a full looping workstation. Features -- Multi-Layered Looping Circa has six layers that can operate independently or in sync with each other and/or the host. Circa can record from the stereo input, or self-record via an internal buss for interesting feedback possibilities. -- Standalone Or Plugin As a standalone app, Circa has its own audio and MIDI settings: choose your audio interface, sample rate and buffer size, pick the input pair, send each of Circa's seven outputs to any output pair on your interface, and select a MIDI input. Sync to incoming MIDI clock, or let Circa set the tempo from your first loop. As an AUv3 plugin, it lives inside your host and syncs to its transport. -- Designed To Be Touched And Played Circa's user interface is made for tactile manipulation, with touch strips for speed and position (including dedicated pages). The position strip can be further subdivided with slices. All this works together to turn a looping effect into a playable instrument. -- Easy To Get Along With Circa's layers each have an undo for destructive edits like recording, overdubbing, and erasing. -- Controllability And Modulation Circa has 30 modulation slots. Each one can map a MIDI controller to any of Circa's looping functions, or run an LFO: seven shapes, free-running or tempo-synced, with rate, phase and level, modulating speed, start and end position, level, panning, delay and reverb sends, filter frequency and resonance, or the slice the play head is on. LFOs swing around wherever each control is set, so the knobs stay in charge. -- Self-Contained Circa has a full internal mixer, filtering on each layer, and studio-quality send reverb, send delay, parametric EQ and compressor taken directly from Audio Damage's extensive effect library. -- Expandable And Performance-Ready Circa has 7 outputs in all: six assignable stereo outputs and a cue output for monitoring. Send any layer to any of the six stereo outputs, while keeping the cue for soloing, recording, and editing, unheard by the audience. In the standalone app, each output can go to its own pair of outputs on your audio interface. -- Ecosystem-Aware Circa's user presets are cross-platform compatible, and work on any instance of Circa, whether on macOS, Windows, Linux, or iOS. In addition, sessions created in GarageBand or Logic on iOS will open in the desktop version on macOS if you have purchased a license to that version.

Fauve is an audio processor that collects sonic fragments and replays them, not always faithfully. It forgets, distorts, and glitches into new meanings.  Like the hallucination of a broken machine. A fractured memory, yours to reshape. "Fauve is a perfect cure for sound-alike effects. It really is distinct from other buffer/glitch and granular tools. And it strikes an ideal balance between predictability and weirdness, between polished controls you can learn and master and unexpected combinations that surprise you." Peter Kirn – CDM By continuously recording incoming audio, Fauve analyzes and breaks sound into small units we call collections. When playing them back, it sometimes fails, opening space for the user to edit and shape the material according to their own sonic vision. Fauve can be a harsh distortion, a gentle shadow, a paroxysmal dance between reality and dream, and much more. It can slightly scramble your sound, completely strip it of its original meaning, or introduce subtle, almost imperceptible variations to make it richer, yet always organic. Fauve disrupts, but never destroys. REMEMBER / FORGET Fauve listens and remembers — but it may forget to capture the present, getting stuck in the past. It blends memory and reality, shaping a soundscape as if it were truly what it just heard. BEHOLD THE HALLUCINATION Beyond the native errors of its faulty replicatory nature, Fauve opens space for your design: you can shape the playback of fragments using classic sampling/slicing parameters like Disorder, Repeat, Freeze, and playhead rate. SHAPING THROUGH ABSENCE Sculpts amplitude in two distinct ways through Absence: turn left to assign a random value to each fragment for more organic results, or turn right to introduce audio drops, adding uncertainty, or even reaching distortion wilderness on shorter fragments. BEYOND BALANCE: ENTER THE MIRAGE Let Fauve blur reality with its dream using the Mirage parameter. Shape the balance, focus it across the stereo field, and control amplitude for both source and processed sound. LOCK PARAMETERS Enable lock toggle to preserve key parameters values while browsing presets. IN-GUI INFOS Enable Infos toggle to get all parameters details always in sight; just hover on a parameter. Fauve is a totem/series plugin, and like all totems, it follows its own logic. Timing in Fauve doesn’t rely on beats or note values — it’s driven by the material itself. Every operation is triggered by zero crossings, making the outcome deeply dependent on the source. Same settings, radically different results.