LA Comp vs M

Legendary sound with a modern twist. LA Comp reimagines a studio classic with unmistakable vintage tone bringing in-depth control. Whether you're crafting silky vocal lines or adding punch to your mix, it's got the soul of a legend with a twist of modern-day flexibility. Optical dynamics with ease. With side-chain, auto-gain, and in-depth control over tube and optical elements, you’ll have everything you need to shape your sound in ways you never imagined. Mix anywhere. Anytime. From the studio to your mobile rig, LA Comp is ready. With VST3, AAX, AU, and AUv3 compatibility across macOS, Windows, iPhone, and iPad, your sound goes wherever inspiration strikes—without compromising quality or control. Features -10 included cross-platform presets for instant inspiration -Auto-Gain to keep the focus on your dynamics -Analog warmth and drive with three tube flavors: Vintage, Modern, and Stock -Gain reduction (Mono or Stereo) and calculation options (RMS or Peak) -Emphasis frequency control for tailored compression -Stereo spread for enhanced width and space -Side-chain input for creative mixing and shaping -Allows external audio device use Fully compatible with VST3, AAX, AU, and AUv3.* *AUv3 and standalone only on iOS. Mac/PC (Sold separately) required for VST3 and AAX.

That 8-bit sound — with the real mechanism behind it. M-NES is a chiptune workstation that recreates the RP2A03 APU, the sound chip of the classic 8-bit game console, at the register level. Two pulse channels, a triangle, a noise channel, and 1-bit DPCM samples: the five channels the hardware actually has, laid out on a piano roll. You are not composing with presets that sound "close enough" — you are driving the chip itself. FIVE-CHANNEL APU SOUND ENGINE • Two pulse waves with four duty cycles, hardware sweep, and envelopes • Triangle with the linear counter — that round, fat bass • Noise with 16 periods plus the 93-step short mode; pick the period by note pitch • DMC channel playing 1-bit DPCM samples • Switchable NTSC, PAL, and Dendy clocks and frame rates • 48 kHz mono output, just like the hardware A PIANO ROLL THAT FEELS RIGHT • Tap to write, drag to move, pull the edge to resize • 8th, 16th, and 32nd quantize • Note velocity maps straight to the APU volume registers • Per-track mute and solo, undo and redo, autosave BUILT-IN NSF PLAYER • Open .nsf or .nsfe and the built-in 6502 CPU and APU emulation play the original • Multi-song files show a track list with titles and durations • Single, repeat, and play-all modes TURN A SONG INTO EDITABLE NOTES • Re-emulates the selected song and tracks every APU register write, frame by frame • Recovers pitch, timing, velocity, duty cycles, and noise periods into five editable tracks • Use it to study, remix, or continue a track — transcribed songs play back immediately DPCM SAMPLES • Import raw 1-bit .dmc data • Convert WAV, AIFF, and CAF to hardware-spec 1-bit DPCM automatically • Place drums and voice clips with a waveform preview HARDWARE-ACCURATE EXPORT • NSF and NSFe export with a built-in 6502 driver and APU register stream • 48 kHz mono WAV master • .nesseq project files containing all editing data PRIVACY • No account, no ads, no tracking • Composing, playback, and export all happen on your device, fully offline MADE FOR • Chiptune musicians who want the real sound, not an imitation • Game developers preparing hardware-spec music and sound effects • Anyone who wants to learn how 8-bit sound actually works — duty cycles, DPCM, noise periods — hands on --- M-NES is an independent product. It is not affiliated with, sponsored by, or endorsed by any video game console manufacturer. NSF and NSFe are community file formats used to preserve 8-bit game music. NSF files may contain third-party copyrighted material; import and export only within the rights you hold.