Toyphonic Micraliser vs GateVerb

Introducing the Toyphonic Micraliser for International Joke Day 2025... - Ultra-realistic, Precision Tuned, Apex Mic Modelling. - If your singing sounds like a dying cat, this finally kills the cat. - Why waste a good mic on those vocals? Use this and keep expectations low. - Built for the future—fails in the present. Impulse Responses Transform your music into something only a toddler could appreciate via the painstakingly captured, isolated mic & speaker Impulse Responses - perfect for those of you who musically peaked at nursery rhymes. Envelope Curve, sculpt and inappropriately touch the behavioural qualities of the Impulse Response via the attack and decay controls, just don’t overdo it you brute. Quality We hand-crafted a musical, beastly quality control to exacerbate and crush the effects of the IRs which is very much needed to help you truly understand our genius, especially now that after years of blasting music through your ******* you’ve left your ears heroically useless. Presets 15 'ethically' locally sourced, organic presets so your AI-reliant selves don’t have to think beyond the blinking and breathing part of your day. We even blessed you with a randomise button which is like infinite presets, how kind are we?! Make Movey Things Embrace change grandpa, employ the service of modulation via the LFO, Sequencer & Envelope Follower to keep things moving, just because your music is flat and boring doesn’t mean the automation has to be too. Product Aftercare We cannot be held liable for any personal threats or harm you may encounter upon being encouraged to sing into the Toyphonic Micraliser, you should have known better you silly sausage. Toyphonic Micraliser is designed as an AUv3 plugin, meaning it works within iOS and iPadOS hosts such as Logic Pro, GarageBand, Cubasis 3, AUM and Beatmaker 3.

GateVerb Gated Reverb Plugin (AUv3) GateVerb is an audio effect plugin that can run standalone, or in any AU compatible host application such as Logic Pro or GarageBand. Overview GateVerb is a super-simple and CPU-friendly stereo reverb with a retro vibe. Pre and post-effect filters provide additional tone-shaping, and the switchable gate processing stage allows the recreation of the gated reverb sound made famous on many an 80's hit, as well as an emulation of a "reverse reverb" effect in realtime. And of course, you can simply switch off the gate, for those times when you just need a straightforward no-frills reverb. Controls Active - Toggles the effect On or Off. You can use this control to A/B your settings with the original signal and this will fade gradually between the two with no distracting pops or clicks! Reverb Controls Size - Varies the size of the emulated reverb from a small room to very large hall. Damping - Varies the amount of high frequency damping applied to the reverb tail. As damping is increased, the reverb effect becomes "softer". Width - Sets the stereo spread of the generated reverb from mono, to wide stereo. Wet - Sets the level of the generated reverb, including the filter processing. Dry - Sets the level of the dry / incoming audio signal. Filter Controls HPF - Sets the cutoff frequency of a high-pass filter, which is applied to the signal sent into the reverb processing. LPF - Sets the cutoff frequency of a low-pass filter, which is applied to the output of the reverb processing. Gate Controls Gate - Turns the gate processing stage On or Off. Like the Active control, this is a "soft" switch so you can A/B the effect. The gate processing is applied to the wet / reverb signal only. Smoothing - Sets how fast the gate processing responds to changes in the input signal. Lower settings correspond to a fast response time, whereas higher settings introduce a lag or damping effect to the responsiveness of the gate. Note that the smoothing time also affects the Attack and Release times, so if you need a really slow attack, try increasing the Smoothing too. Threshold - Sets the signal level required to "open" the gate. Note - If set too high, you might not hear any reverb at all, and if set too low, no gating effect will occur as the signal will be loud enough to keep the gate open all the time. Attack - Sets how quickly the gate opens once triggered. At the zero setting, the gate will open immediately, otherwise it opens up gradually, which can be used to create a swell / pseudo-reverse reverb effect. Sometimes, just having a little bit of a swell prevents the reverb from masking the attack of the dry signal which helps retain clarity. Alternatively, ramp-up the attack for spooky vocal effects! Release - Sets how quickly the gate closes after the attack stage. At zero, it will close very quickly, depending on the Response settings. Longer release times can be quite subtle and allows for some fine-tuning of the reverb tail. Somewhere in the middle is the classic 80's drum type gated reverb effect. For more info and support please visit: www.waverley-instruments.com/robjackson