LookPocket vs Lenset

WHAT IS LOOKPOCKET LookPocket connects directly to your camera, and gives you more than a dozen color grading parameters to get your look to exactly where you need it. Moreover, the grading menus are fully customizable, so you can grade comfortably in your own way. HOW DOES IT WORK LookPocket calculates and updates your camera's internal color decision list (CDL) with your grading parameters in real time, allowing it to stay responsive and lightweight. Your underlying exposure (e.g. your log image) is not changed in any way. Instead, the CDL is saved in your original camera files' metadata along with your LUT, so you can recall your grading at any point in post production, but stay confident that your image stays exactly the way you exposed it. WORKFLOWS Because connection to the camera is established quickly and easily, the iPhone or iPad running LookPocket can stay on your pan bar, in your pocket, on your cart, or any where else on set. Then, when you need to adjust your colors, just pull up your phone, connect the camera, and away you grade! COMPATIBILITY - CDLs are saved directly in the original camera files, so post production receive them automatically - Import and export .cdl files for sharing and managing looks - Compatible with certain Arri and Sony cameras, such as Alexa 35, Alexa Mini-LF, Alexa Mini, Amira, Venice 1, and Venice 2 Terms of Use: https://www.apple.com/legal/internet-services/itunes/dev/stdeula/ Privacy Policy: https://www.lookpocket.com/support

Lenset is the Director's Viewfinder reimagined for filmmakers and location scouts. Frame shots through real cinema cameras and lenses, pull cinematic zoom moves, and see authentic lens vignettes from reference captures, every capture tagged with GPS, compass heading, and a sun-path map overlay. DIRECTOR'S VIEWFINDER, REIMAGINED Frame the shot before you set up. Pick a camera, a sensor format, and a lens, and Lenset scales the iPhone preview to match — with frame lines, focal length, 35mm equivalent, coverage ratio, and a calibration warning if the sensor exceeds the reference data. • 63 cinema cameras across 10 manufacturers — ARRI, RED, Sony, Canon, Blackmagic, Panavision, Panasonic, Fujifilm, Vision Research, Freefly • 300+ sensor formats — Open Gate, Vista Vision, Super 35, Super 16, anamorphic, plus 35mm and 16mm film • Cinema frame lines with adjustable color, opacity, and masking • Grey-border framing for wide primes the iPhone can't reach natively, with vignette and frame line tracking the lens, not the iPhone CINEMATIC ZOOM CONTROL — SMOOTH & SPEED CONTROL Pull a zoom move the way a focus puller would. Not a pinch. Not a digital slider. A real zoom-pull engine designed for cinematic moves. • Logarithmic and linear zoom modes • 7 zoom curves — Linear, Standard, Aggressive, Soft, Broadcast, plus two ARRI ZMU-4-inspired Cine Expo profiles • 0–100 speed slider for slow push-ins or crash zooms • Optional feathering for smooth motor-style ramping • Joystick or speed-strip control • Vision-based parallax compensation at multi-lens switchovers — when the iPhone crosses 2× or 5×, the frame stays put through the lens swap • Prime lens navigation: swipe or pinch to step through fixed focal lengths in a cinema set, with auto-selection of the best iPhone physical lens for each prime LENS COVERAGE — REAL LENS VIGNETTES, LIVE See how a real cinema lens behaves on your chosen sensor. Lenset's vignette data is sourced from reference captures — not procedurally generated, not estimated from spec sheets. 66 lens sets with reference-captured vignette textures: More being added 100+ additional cinema lens sets included as data-only references — Master Primes, Signature, Supreme, Master Anamorphic, Cooke S/i, Primo, Hawk anamorphic, Optimo, Premista, Cabrio. LOCATION SCOUTING, BUILT IN Every capture is GPS-tagged with compass heading and device tilt. Drop a scene onto a map with your camera's field-of-view cone projected from the capture point, then scrub through a sun-path overlay computed from NOAA solar ephemeris — sunrise, sunset, golden hour, and the full daypath at your shoot location and date. Plan future shoot dates by checking sun angle before you arrive. PROJECTS + SCENES Organize shoots into projects and numbered scenes. Drag clips between scenes, mark favorites, review with pinch-to-zoom photo and video. Export shotlists to share with directors and producers. BRING YOUR OWN LUT Import .cube LUTs from DaVinci Resolve, Lustre, or any grading tool. Preview your look live in the viewfinder, then bake it into recordings and full-resolution photos. Apple Log, Rec.709, ARRI LogC4, S-Log3, BT.2020, and DCI-P3 input/output color spaces supported. CAMERA FUNDAMENTALS 4K HEVC video at 24, 25, 30, 50, 60 fps. Full-sensor HEIF photo capture. Tap-to-focus, long-press AE/AF lock. Manual white balance, EV bias, rule-of-thirds grid, customizable center marker. Frame line, vignette, grey border, and info bar baked into recordings. PRIVACY BY DEFAULT Everything stays on your device. No tracking, no analytics, no cloud, no account. Lenset doesn't have a server. Made for filmmakers, by filmmakers.