Scanner ComeTogether vs Escenio

ComeTogether Scanner is the official check-in app for events that sell tickets through ComeTogether. Organizers and their staff use it at the entrance to validate tickets and products quickly and reliably, even when the connection drops. SCAN TICKETS IN SECONDS • Scan ticket QR codes with the phone camera, or use a hardware scanner • Enter a ticket code manually when a QR can't be read • Clear result on every scan: valid, already scanned (with the time), wrong event, wrong ticket type, refunded or listed for resale • Supports dynamic QR codes for extra protection against copied tickets WORKS OFFLINE • Tickets for your events are kept on the device, so scanning continues without internet • Scans sync automatically as soon as the connection is back, across every device at the gate BUILT FOR REAL EVENTS • Work on several events at once and choose which ticket categories to admit • Group scan: admit everyone from the same order with a single scan • Season tickets and Multi-Day ticket bundles • Re-entry and multi-entry ticket types PRODUCTS AND PACKAGES • Scan purchased products such as drink packages, merchandise or add-ons • Pick product and variant before scanning, or scan the ticket first and choose what to redeem • See exactly which product and variant was redeemed on every scan LIVE EVENT INFO • Scanned and remaining tickets and products per category, updated live • Venue, date and sync status at a glance for every event Sign in with the email that has scanning access on ComeTogether, or with Apple or Google or Facebook. Available in English and Greek.

Escenio is not affiliated with or endorsed by any console or software manufacturer. Console and software names are used only to indicate compatibility. A professional remote for working from the stage, not from the desk. During focus, fit-up and rehearsal, the technician needs the console where the light is. Escenio puts it, with QLab and the desk, on a tablet or phone, over the theatre's local network. WHAT IT TALKS TO • ETC Eos consoles and MA Lighting grandMA3, over OSC. • Figure 53 QLab, versions 5 and 4, over OSC. • Behringer, Midas and Yamaha sound desks, over OSC and RCP. WHAT IT DOES • Full command line with the console keypad. • Rigging: channels, groups, palettes and presets on big buttons; channel check with Highlight or Rem Dim; lamp preheat. • Focus, on Eos and grandMA3: the pan and tilt pad, the dimmer, attributes, and groups, presets, palettes and macros at hand. • Update, Record and Store palettes and presets from the stage. • Cues with their names, their times and a fade meter while one is running. • Patch with copies to compare, faders, master and executors. • grandMA3 with the free Escenio plugin (the app installs it, or download it from unquinto.es/apps/escenio): the console confirms every command and shares its command line. • User window on Eos and grandMA3: your own buttons. • QLab: GO, Carts, PAUSE ALL and RESUME ALL, PANIC, what is playing with its own pause and stop, the list with its times, Load to Time and Preview. • QLab 5 Editing: cues, levels, Fades, Groups, Time & Loops, video and stages, lights and Dashboard. • The console and QLab on the same screen, and console cues that start QLab cues. SHOW, THE STAGE MANAGER'S STATION With the Full version: lighting, QLab and the desk on one screen, in read mode to start, with what is on stage and what comes next, the show clock and the show report. And the prompt book: the cues in order, with their standby lines, reviewed before each performance. SOUND DESKS On all of them: faders with layers, mutes and names, and a Desk tab next to QLab and the console. Also: • Behringer X32 and Midas M32, X Air and Midas MR (OSC): the whole channel (preamp, filter, EQ, gate, compressor, sends and inserts), effects, meters, RTA and patch. X32 and M32 tested on a desk. • Behringer WING (OSC): the same, with 6-band EQ and 16 effects. Tested on a desk. • Yamaha DM7 and DM5 (OSC and RCP): DCAs, mixes, preamp, HPF, 4-band EQ and sends. No dynamics, 48 V or effects: the desk doesn't allow them to be changed remotely. Tested on a DM7 Compact. • Yamaha DM3 (RCP, with the DM7 purchase): preamp with 48 V and sends. No DCAs or channel EQ. • Yamaha CL and QL (RCP): DCAs, mixes, matrices, pan, preamp, dynamics threshold, sends and meters. No EQ, HPF or 48 V: they don't offer them over RCP. • Yamaha Rivage PM (RCP): what the CL has, plus 4-band EQ, HPF, phase and delay. HOW IT IS BUILT • Local network only. No cloud, no account, no telemetry, no server. • It opens in read mode; switching to control is a deliberate act. • Keys that fire, record or release manual changes require arming. • Finds QLab and Eos consoles on the network, or type the IP; latency in view and exportable diagnostics. PURCHASES The app is free and comes with a demo to try everything without a console. QLab control is free, for real. Eos, grandMA3 and the desks connect free in read mode, and their control is a one-time purchase, no subscription. QLab Editing is sold on its own or comes included with Eos, grandMA3 and the desk bundle. The Full version has it all, with the Show and the prompt book. Purchases work offline. We collect no data: everything stays on the device. Eos and ETC are trademarks of Electronic Theatre Controls, Inc. grandMA3 is a trademark of MA Lighting. QLab is a trademark of Figure 53, LLC. Behringer, Midas, X Air, X32, M32 and WING are trademarks of Music Tribe Global Brands Ltd. Yamaha, DM7, DM5, DM3, CL, QL and Rivage are trademarks of Yamaha Corporation.