FAC Polyflo vs AuDelay

• AUv3 plugin to modulate and sequence MIDI instruments and modular hardware • Outputs MIDI and analog CV simultaneously for integrated hybrid setups • Fully functional in software-only environments with full MIDI support • Converts LFOs, MIDI notes, pitch, and control changes into control voltages • Includes two LFO generators with random spline, cross-modulation and syncing • Integrated envelope follower to track audio input or sidechain signal • Six FLO(W) processors for combining and shaping signals with math and logic • Each FLO supports 18 inputs with individual polarity, divider and multiplier • Multi-out support, built-in waveform viewer, Audio FX, and MIDI FX • Advanced Responsive Design, portrait and landscape views • Universal Purchase: AUv3 for iOS (iPad/iPhone), macOS and Vision Pro FAC Polyflo is an AUv3 plugin for modulating and sequencing MIDI instruments and modular gear via control voltage. It outputs MIDI and analog CV simultaneously, making it well-suited for hybrid setups that combine digital and analog equipment. The plugin includes two LFO generators offering 10 waveforms, including classic shapes and random spline, with support for cross-modulation and syncing. It also features an envelope follower that tracks audio FX input or an external sidechain. The generated signals, together with the host clock and MIDI input, are fed into six independent FLO(W) processors. These processors combine, shape, and route inputs using math operations, conditional logic, and comparators. Each FLO includes individual polarity, division, and multiplication controls, providing deep and flexible modulation that balances chaotic creativity with precise timing. Each FLO processor output is connected to its own output bus, enabling easy integration with hardware via DC-coupled audio interfaces like the Expert Sleepers ES-9. For simpler setups, FLO outputs can be routed to the stereo output. FAC Polyflo can also convert MIDI notes, pitch, and control changes into control voltages, making it a powerful MIDI-to-CV solution. If you prefer to work exclusively with software, the plugin runs smoothly in software-only environments with full MIDI support, making it equally suited for purely digital workflows. FAC Polyflo works as both an Audio Unit FX and MIDI FX, featuring a clean, touch-optimized interface with precise control and waveform visualization. It’s available as an AUv3 for iOS (iPad/iPhone), macOS, and Vision Pro, and requires a compatible AUv3 host app to run. This is an AUv3 Effect and requires a compatible host to work The documentation is available at fredantoncorvest.com/FAC_Polyflo.html

AuDelay Golden Ratio Cosmic Delay (AUv3) AuDelay is an audio effect plugin that can run standalone, or in any AU compatible host application such as Logic Pro or GarageBand. Overview AuDelay is a delay effect that looks quite simple on the outside, but there's a lot going on inside. The Golden Ratio (*) is used extensively in the DSP code for AuDelay which results in a versatile delay effect that can also sound very unconventional. At its core, AuDelay is a trio of stereo delay lines with variable modulation, panning and lo-fi texture. Shorter delay times can produce an echo effect reminiscent of vintage "oil can" units, but with a maximum base delay time of 16 seconds, "cosmic" ambient soundscape delay effects is where AuDelay really shines. AuDelay takes its name from the chemical element symbol "Au" for gold, and it just so happens to be an "AU" (Audio Unit) too! Please note that by design, AuDelay is not well-suited to tempo-sync / rhythmic type delays, so if that's more your thing, please check out PolyDelay as an alternative. AuDelay is also similarly named, but not to be confused with AulDelay either, which is a much more basic analog-flavoured delay. (*) The Golden Ratio, approximately equal to 1.618, is a special number that has fascinated many scholars going back to Ancient Greek times. It can be found in geometry, architecture, art and even some patterns in nature. Controls Active - Toggles the effect On or Off. This behaves as a "soft switch" or in "trails mode", allowing any delay repeats to ring out when you toggle to the Off state. Time - Sets the base, or longest delay time. There are three delay lines, each with different pre-delay and base delay times. With Density set to minimum, you have just one line active, so you will typically hear a shorter initial (pre-delay) repeat, then a longer repeat equal to the Time value - very similar to an "oil can delay" with just one head. Density - This activates the 2nd and 3rd delay lines progressively, so you will hear the output of these delays faded into the wet mix gradually as you increase the Density control. However, when the control gets close to maximum, something else interesting starts to happen... Density 0% - Only one delay line is active. Density 0-50% - A second delay line is mixed in gradually, with the two being equal level with the Density control at 50%. Density 50-75% - A third delay line is mixed in gradually, with all three being equal level with the Density control at 75%. Density 75-100% - In this range, the output of the lines are fed back into each other, creating an almost reverb-like wash, especially at high Regen settings. Regen - Sets the regeneration or feedback for the delay lines. Note that because of the way the Density processing works, AuDelay does not do infinite or "freeze" type effects, but rest assured, the decay time can still be very long when Regen is set to maximum. Lo-Fi - Applies high and lowpass filtering to the delay repeats along with some gritty drive to emulate a vintage analog delay. Mod - Applies modulation to the delay. Each delay line is modulated independently and in stereo for a lush chorusing type effect. As you increase Mod, the underlying LFOs start to drift and warble in an unpredictable way. Pan - Applies a panning effect to the output of each delay line. The pan rate varies with the delay time and the underlying LFOs will also start to drift as you increase the control. Mix - Increases the level of the delayed signal. Note that AuDelay does not go 100% "wet", so Mix does not alter the level of your dry signal. Out - Can be used to adjust the overall output (wet + dry) from AuDelay. For more info and support please visit: www.waverley-instruments.com/robjackson