Vertiscoper anamorphic resizer vs AnamorphicDesqueezer

Vertiscoper is a fast, creator-focused tool that desqueezes anamorphic photos and videos directly on your iPhone, ready to post in seconds. 
Perfect for anamorphic photographers, content creators, mobile filmmakers and anyone chasing cinematic results on the go without a desktop. As a cinematographer who’s always chasing new looks and creative possibilities, I developed Vertiscoper out of my own need for a simple and fast anamorphic workflow, no matter if the lens is mounted for a vertical or in a classic horizontal setup. With today’s demand for fast, social-ready content, shooting “Vertiscope” is my go-to way to capture flexible ≈1:1 masters, ready for any format. TOP FEATURES: – desqueeze vertically or horizontally in one app – camera RAW import: DNG, Sony (ARW), Nikon (NEF), Canon (CR2/CR3), Fujifilm (RAF) and more – no DNG conversion needed – import from Photo Library, Files or straight from the Photos share sheet ("Import to Vertiscoper") – direct card reader import via Files – share desqueezed photos and videos to any app right from Vertiscoper – photo batch processing – wide range of desqueeze factor presets from 1.25× to 2.0× – custom desqueeze factor – check before-after with touch and hold on preview image – EXIF data and color profile preserved – 10-bit HDR videos keep their full dynamic range – fast hardware-accelerated video export – one-time purchase, no subscription SUPPORTED FORMATS: IMAGES JPG, TIFF, DNG, Apple ProRAW and camera RAW from Sony, Nikon, Canon, Fujifilm, Panasonic, Leica and many more. If a rare RAW format isn't readable on your device, convert it to DNG, TIFF or JPEG (e.g. in Lightroom) before importing. Desqueezed RAW photos will be saved as TIFF. VIDEO H.264, H.265 and Apple ProRes are supported, including 10-bit HDR (HLG/PQ). Please convert other video formats before importing. Desqueezed videos will be saved as H.265 (HEVC) or ProRes when the source is ProRes. Need help or found a bug? If you’re experiencing an issue, have feature suggestions, or just want to share feedback, I’d love to hear from you. Please include your device model, iOS version, and a short description of what happened – that helps me improve Vertiscoper for everyone. Contact: vertiscoper@alex-zimmermann.com

Anamorphic Desqueeze is a professional anamorphic desqueeze tool built for filmmakers working with anamorphic lenses. Designed for anamorphic cinematography, it gives you precise manual desqueeze control, real-time monitoring, professional exposure tools, cinematic capture controls, and true CinemaScope export with ProRes and 10-bit. If you shoot anamorphic, this app is built for you. Professional Anamorphic Desqueeze • Preview every ratio free — 1.15×–2.0× and Custom • Free record and export at 1.8× with a bold proof watermark • Pro unlocks every ratio, Custom, and clean delivery (no watermark) • Custom ratio slider (Pro) • Preview matches what you will export • No automatic detection — full manual control Live Anamorphic Desqueeze Monitor • Real-time desqueeze preview • Toggle squeezed / desqueezed view • 2.39:1 CinemaScope framing guides • True anamorphic aspect monitoring Professional Monitoring Tools • Zebras • Waveform with IRE scale • False color • Focus peaking • Luma and RGB histogram • ISO, shutter speed, and white balance display Cinematic Capture Controls • Cinematic f-stop on supported iPhones running iOS 26 or later — free at f/2; other stops require Pro • Create cinematic background blur and stronger subject separation • Set depth of field before recording • Zoom and framing are preserved in the movie • Free ISO is Auto and High; other ISO values require Pro • Standard look free to record; other color looks require Pro • What you frame, expose, and grade is what you export Cinematic f-stop requires iOS 26 or later and a device that supports Apple Cinematic Video capture. Cinematic Color Looks Standard, Black & White, Warm, Cool, Teal & Orange, Golden Hour, Day Exterior, Night Interior, High Key, Low Key, Soft Film, Bleach Bypass, Moonlight, Rich Contrast, Vibrant, Flat, Print, Apple Log, and Apple Log 2. Standard is free; full set requires Pro. Export True CinemaScope • Correct 2.39:1 CinemaScope ratio • No stretched footage • Save to Photos • Export to Files — H.264 free; ProRes and 10-bit require Pro • FCPXML timeline for Final Cut Pro (Pro) • Per-clip framing, LUT, and trim • After a take at an allowed ratio, the desqueezed clip is saved to Photos automatically Anamorphic Photo and Batch • Desqueeze anamorphic photos • RAW / DNG support • Batch desqueeze multiple clips • Export per clip or merge to one timeline (merge is Pro) • Free offline export is 1.8× with proof watermark; Pro is clean for every ratio Record to SSD On iOS 17 or later, connect a USB-C drive and record directly to it. Keep iPhone storage available and leave the drive connected when exporting that take. Audio Meter and Microphone Monitor audio levels and select the built-in, USB-C, or wired microphone before recording. Preview every ratio free. Free record and export are 1.8× with a bold proof watermark. Pro unlocks every ratio and clean export — Photos, Files, batch, merge, ProRes / 10-bit, and FCPXML. How to Use 1. Choose Live Monitor or Post for photos and videos. 2. Select your anamorphic desqueeze ratio and framing (all ratios free to preview). 3. Set f-stop on supported iOS 26 devices (free f/2), zoom, ISO / exposure, and color look. 4. Monitor with waveform, zebras, false color, focus peaking, histogram, and 2.39:1 guides. 5. Record at 1.8× free (proof watermark) or unlock Pro for any ratio, clean. 6. Export to Photos, Files, or FCPXML. For batch workflows, import clips, set ratio and codec, then export individually or merge into one timeline with correct CinemaScope geometry. Built for a Faster Filmmaking Workflow Frame anamorphic shots correctly while shooting, monitor exposure and focus, set cinematic depth, zoom, ISO, and color, then carry those creative decisions through to export. Who It’s For Cinematographers and DOPs, independent filmmakers, short film and commercial teams, 2.39:1 content creators, film schools, studios, and rental houses working with anamorphic lenses.