ARGate vs Parrot

ARGate Attack / Release Gate Plugin (AUv3) ARGate is an audio effect plugin that can run standalone, or in any AU compatible host application such as Logic Pro or GarageBand. Overview - more than just a noise gate... ARGate is an audio gate utility with a few twists, with the addition of attack and hold times, plus support for hysteresis. At its core, ARGate uses an AHR (attack-hold-release) envelope to control gain adjustment of an incoming audio signal, with support for different threshold values to open and close the gate (hysteresis). ARGate can function as a noise gate for instrument or vocal audio tracks, but can also be used as an "auto-swell" effect on instruments such as electric guitar so you can leave that bulky volume pedal at home! ARGate can even be used to "tighten-up" drum and percussion loops by gating out the quieter elements. A G R Indicators Above the view selector are 3 indicators to show what state the gate is in: Attack, Gate (open) and Release. Each indicator will light when in that particular state. Please note these are not interactive buttons that you click on, even though they share the same fabulous color scheme :-) Note - if you see the R indicator flickering a lot, please consider increasing the Hold time slightly, as described below. Controls Active - Toggles the effect On or Off. Threshold - Sets the dB level of the signal required to open the gate. At its lowest setting, the gate will let pretty much everything through, and at the highest setting, none shall pass! For background noise reduction, set the Threshold to minimum, then slowly increase it until you see that the G indicator is not opening when there is only background noise in the input. Hysteresis - This sets the difference between the open gate and close gate threshold which is useful when you want to hear more of the decay sound once the gate has been triggered. The default of -6dB is a good place to start - this means that the close threshold will be 6dB less than the threshold to open the gate. This feature tends to avoid the "fluttering" effect you sometimes get with more basic noise gates. Reduction - Sets the amount of gain reduction applied when the gate is closed. At its lowest setting, this is effectively silence and is probably the setting you want to use in most applications. Alternatively, you might just want to attenuate background noise by a certain amount so the result doesn't sound obviously gated. Attack - Choose between a linear or exponential attack curve, then set an attack time. At zero, the gate will open as soon as the Threshold is hit. For auto-swell type effects, a long attack time around 1000ms and an exponential curve can work well. Hold - Sets a variable hold time which can also be useful for avoiding gate "fluttering" and works in tandem with the Hysteresis control. This time is essentially how long the input level has to remain below the close threshold (open threshold + hysteresis) before going into release mode. If the input level goes above the close threshold, then the hold timer is reset. This feature is especially useful for vocal and instrument gating, but can also be used to achieve some interesting rhythmic effects on drum loops and the like. Release - Chose between linear or exponential release curve, then set a release time. An exponential release curve might work better on percussive sounds if you need the gate to really "snap" shut. The minimum release time of 10ms is there to avoid pops or clicks when the gate closes. For more info and support please visit: www.waverley-instruments.com/robjackson

Unpredictables have more fun From subtle beat variation or harmonic accents to glitchy mayhem, Parrot adds something unique and interesting to anything that you feed it with. This effect will help ignite your next dance-floor hit or add that extra je ne sais quoi of flavour to your mix. Whatever you feed the Parrot, it won’t let you down! Parrot creates rhythmic patterns by sampling small slices of incoming audio, and repeating it in a sequenced loop. With control over loop length, pitch, variation, dynamics and filtering, the result can easily take off in any direction you want. Each slice becomes part of a loop that keeps reshaping itself as you adjust parameters, making patterns that feel alive. The sequencer reacts strongly to small changes, so even minor tweaks can introduce new pulses, stutters or harmonic shifts. Parrot can hold on to a steady rhythm, but it’s just as comfortable dissolving into broken loops and glitchy textures that evolve over time. When synced to your DAW it slots neatly into structured productions, while the free‑run mode opens up a more exploratory, generative side. The smallest change can create a new pattern, almost like turning a kaleidoscope and watching the pieces fall into a fresh formation. As the loop repeats, the interplay between timing, pitch and modulation build a sense of movement that keeps the rhythm from feeling static. Filtering can push the sound forward or bury it in grainy motion, and dynamic shaping helps each step take on its own character. Over longer sessions, patterns can morph in ways that feel unexpected yet connected to the original source, gradually forming textures that sit somewhere between groove and ambience. From gentle movement to complete fragmentation, Parrot acts as a creative companion that constantly feeds new rhythmic ideas back to you, encouraging ongoing exploration and rewarding every small adjustment with a new possibility.