MelodyHarmonizer vs ANALOGy8

Are you interested in tonal harmony? Do you want to test your melody with harmony? MelodyHarmonizer is built for musicians, composers, and improvisers looking for new harmonic ideas. With MelodyHarmonizer, you can generate a wide variety of unique harmonizations for any melodic line you provide. Whether your input melody is tonal, chromatic, free-tonal, or even twelve-tone (dodecaphonic), the app explores what kinds of harmonic progressions can be applied to it. A Tool for Harmonic Exploration: MelodyHarmonizer is intentionally not based on standard probabilities. This means it does not necessarily produce a fully polished or the most commonly heard harmonization. Instead of forced, conventional coherence, it opens up unexpected harmonic paths and challenges your musical routine. Key Features: • Control the strength of suggested modulations. • Exclude unwanted chords from the harmonization rules. • Adjust the playback tempo of the harmonized melody. • Fine-tune relative note durations without affecting the underlying harmony. Discover tonal harmony in new contexts and expand your musical creativity with MelodyHarmonizer!

ANALOGy8 Virtual Analog Synth (AUv3) ANALOGy8 (“analog-ee eight”) is an AUv3 virtual instrument plugin that can run standalone, or in any AUv3 compatible host such as Logic Pro, GarageBand or AUM. Please note that the standalone version does not include a built-in keyboard - you need to connect a suitable MIDI device to play the synth. Overview ANALOGy8 is an 8 voice polyphonic, or mono virtual analog synthesizer. Each voice has 3 variable shape oscillators with wave folding, plus a noise source. There are independent amplitude envelopes and velocity-sensitivity for all 3 oscillators and the noise source. This is slightly unusual, and can be used very creatively when designing sounds. ANALOGy8 also includes independent pitch bend ranges for all 3 oscillators, and bends can be quantised according to a musical scale so your pitch bends will always be in tune. The filter stage comprises two independent variable mode filters per voice, with two and four pole variations of lowpass, bandpass and highpass ladder filters, with drive / saturation. Filter cutoff can also be modulated with velocity. Each filter has its own ADSR envelope. Each oscillator and noise source can be routed to different filters independently, or bypass the filter stage completely. This is another slight departure from typical synth designs. There are four independent modulation sources per voice. Each source comprises a variable shape LFO with its own ASR envelope. LFOs can be sync’d to host tempo or set to drift in an “analog-ee” way. LFOs can also be switched off allowing the modulation source to be used as a simple ASR envelope. Modulation sources can be assigned to 22 voice parameters - 1 mod source per parameter. For example, mod source 3 could be assigned to the pitch of oscillator 2 and the cutoff of filter 1, and so on. As modulation occurs independently for each voice (i.e individual played notes), the modulation capabilities of ANALOGy8 make it an interesting choice for anyone who likes evolving, or even slightly unpredictable sounds and textures. The effects section includes an analog-flavoured delay with host tempo sync option, “random reverse” and “octave grains” effect, a lush stereo phaser, a variable size reverb and a compressor / limiter stage with optional clipper. ANALOGy8 comes with 135 factory presets and has a "generate" feature that can be used to create new user presets. For more info and support please visit: www.waverley-instruments.com/robjackson