junoNATIVE vs SpellSynth

junoNATIVE puts a warm, expressive polyphonic synthesizer in your hands — no hardware required. Designed from the ground up for iOS, junoNATIVE faithfully recreates the soul of classic analog synthesis with a real-time audio engine built on AVAudioEngine. Shape rich, evolving sounds using authentic DCO waveforms, resonant filters, multi-stage envelopes, and a lush built-in chorus — all controlled through a beautifully crafted skeuomorphic interface that feels like touching real hardware. SOUND ENGINE • 6-voice polyphony with per-voice oscillators, filters, and envelopes • DCO with saw, square, and sub-oscillator waveforms plus PWM modulation • Resonant low-pass VCF with cutoff, resonance, envelope mod, LFO mod, and key follow • High-pass filter for thinning out low end • ADSR envelope with snappy response for both filter and amplitude • Syncable LFO with rate control for vibrato, filter sweeps, and modulation • Three-mode chorus: Chorus I, Chorus II, and I+II combined for rich stereo width • Delay and reverb effects with adjustable mix, time, and feedback • Portamento for smooth pitch glides between notes ANALOG CHARACTER Dial in the imperfections that make analog synths feel alive: • DCO Beating — subtle detuning between voices • Filter Drift — slow random cutoff movement • Envelope Click — percussive transient at note onset • Cable Length, Temperature, and Age controls for vintage warmth ARPEGGIATOR • Up, Down, Up/Down, and Random patterns • Adjustable tempo from slow ambient pulses to rapid sequences • Hold mode to sustain arpeggios hands-free • Chord mode for instant polyphonic voicings PRESET LIBRARY Browse a curated collection of patches organized by category — pads, basses, leads, keys, FX, and more. Includes presets inspired by legendary electronic music productions. Tap to load and start playing instantly. INTERFACE • Skeuomorphic design with realistic 3D knobs, illuminated LED buttons, and wood-grain panels • Real-time oscilloscope waveform visualizer • Scrollable, zoomable piano keyboard with velocity-sensitive touch • Floating parameter overlay shows values as you tweak • Haptic feedback on every interaction • Optimized for iPhone Built with SwiftUI and AVAudioEngine. No sample libraries. No MIDI required. Just pure synthesis.

SpellSynth is a playable love-letter to the 1978 spelling toy that taught a generation to read — rebuilt for iPhone, iPad, and Mac, with five modes, a crunchy VFD display, and three vintage voice characters across two decades of speech-synthesis history. Tap a letter and it speaks. Type ANY word — your name, this week's vocabulary list — and SpellSynth speaks it back. EVERY WORD SPEAKS The 500+ bundled words across 20+ themes use a hand-recorded retro voice. Anything else — a name, your kid's spelling list — falls back to the system engine through your chosen voice, cached so the second tap is instant. • FREE PLAY — type any word, a whole phrase, or a number and hear it spoken. Tap SPACE to build a sentence; it's read back word by word as the VFD cycles. Numbers ("2" becomes "two") and contractions ("don't") speak too. A GAP control tunes the pause between words (50–500 ms), and a RECENT row keeps this session. • SEQ — a 16-step sequencer that speaks a word per step, locked to your tempo. Type four words, get a robot vocal loop. Put a single letter on a step and it spells on the beat instead. FIT stretches each word to fill its step, so words pitch up as the tempo climbs. • SPELL — SpellSynth says a word. You spell it. Three mistakes and you get the answer, then try a new one. HINT reveals a letter when you're stuck. • MYSTERY WORD — the classic hidden-word game. You get the category and first letter free; pick letters until it reveals itself. Six wrong guesses ends it. • SAY IT — listen-and-repeat practice. SpellSynth spells the word letter by letter, then says it whole. REPEAT to hear it again, NEXT for a new one. • SHARE — render any word or phrase to a WAV and send it to Files, AirDrop, or your DAW. THREE VINTAGE VOICES Pick a voice character in Settings. Each one draws from a different era of speech-synthesis history, applied to every word you hear: • 1968 ODYSSEY — calm, deep-baritone monotone with a deliberately slow cadence. Fixed-pitch formant synthesis at ~65 Hz, time-stretched 1.6×. Aesthetic homage to the late-60s sci-fi AI voices. • 1978 LPC — the original Speak & Spell character. A 10-pole LPC vocoder driven by the actual TMS5220 chirp ROM, the same speech algorithm Texas Instruments shipped in the toy. Buzzy, granular, unmistakable. • 1986 DECTALK STYLE — fixed-pitch impulse train through formants extracted from your input. Modelled on the Klatt-style synthesis that defined Hawking's iconic computer voice. Deliberate, monotone, emphatically computery. • DEFAULT — clean system speech, no extra processing, for when you just want clear pronunciation. Each caches separately, so switching is instant and the choice sticks. PLAY WITH A MIDI KEYBOARD Connect a USB, Bluetooth, or Network MIDI keyboard and the keypad plays from real keys. Notes C4–C#6 trigger letters A–Z, so any 25-key controller covers the whole alphabet. Pairs naturally with the LPC voice for a Speak & Spell instrument on your desk. BUNDLED AUDIO UNIT (AUv3) SpellSynth ships an AUv3 instrument extension, so the same voice engine loads inside GarageBand, AUM, Loopy Pro, Cubasis, Logic Pro for iPad, and any AUv3 host on iPhone or iPad. Type a word and it speaks live. Twenty-three parameters cover pitch, speed, bit-crush, sample-rate reduction, filter, envelope, LFO, stutter, the step sequencer, MIDI shaping, and voice character. Ten factory presets; all four voices play in your DAW. A serious MIDI surface for performers: sustain pedal (CC 64) for hold-and-release phrasing, Channel Pressure (aftertouch) routable to any parameter, three velocity curves (Soft / Linear / Hard), a pitch-bend range from ±0 to ±12 semitones, and 14 MIDI Learn targets covering every performance knob — bound CCs ride along with the preset. Stutter locks to the host tempo (1/4, 1/8, 1/16), and a Letter Map mode maps A–Z onto MIDI notes 60–85 so you can sequence spelling right in your DAW. Perfect for producers chasing that Kraftwerk / Stereolab / Broadcast sound.