ToneGen PlusMinus vs ARPJAM Studio

Signal generator for identifying audio frequencies by manually matching the pitch. Identifying feedback frequencies rapidly and precisely as an audio tech in a concert situation is a crucial function. Sometimes the feedback is intermittent, or only happens for an instant. For decades I and others have used the procedure of holding a heard pitch in my head and them matching it with some sort of tone generator. There are several iPhone apps that I have used, holding the phone up to my ear to hear the tone. They all have either a dial or a slider to set the pitch. An endless dial can be very precise, but is difficult to operate without looking at the screen. A slider is resolution limited by the length on the screen and so can't be precise. ToneGen PlusMinus uses a novel pitch setting UI which I invented 20 years ago for a Palm III app I wrote. It is very easy to rapidly and precisely match a frequency across it's range of 30 Hz to 10 kHz, without looking at the screen at all. The farther up or down from center your touch slides, the faster the pitch changes. Slide back to center and it stays stable.

No sequence. No play button needed. An instrument that keeps going without you programming anything. Two generative engines invent phrases endlessly inside the scale and chord you choose. What you shape is not a song — it is a way of sounding. Move a control and the sound changes shape without ever stopping. Density, contour, filter, tape movement. It is built so that nothing you touch can break it. And you can play it. On the key pad or from a MIDI keyboard, right on top of the stream it is generating. What you play can be captured into the looper. Now your own sound can go in too. Record a bar into SAMPLE, the fifth machine, and chopping it up and rearranging it is the app's job. ■ Generate • Two independent arpeggio engines (waveform, filter, envelope, effects) • Eight arpeggio types, chord progressions, ten time signatures • BASS — a bass machine of its own (STEP / COMPLEXITY / OMIT / PATTERN) • Drum machine • Six LFOs, XY pad, performance FX ■ Slice (SAMPLE) • Record one bar from a mic or line input, with count-in and click • Record the app itself (ARP A / ARP B / drums), and overdub onto it • Load audio files — and the audio from a video file • Up to 32 slices, ordered by the same rules as the arps: direction, reverse, octave, probability, groove • STRETCH (on by default) — change tempo without changing pitch • Its own filter, envelope and delay / reverb sends ■ Play • On-screen key pad — always in scale • MIDI keyboard input (damper pedal, pitch bend, standard control changes) • One-bar looper that records how hard you played ■ Sound • Piano — three velocity layers, stereo, damper release • Electric piano — harmonics shift with how hard you strike • Kalimba, handpan and chime — struck metal, measured from the real instruments and synthesised • Waveforms (sine / triangle / saw / square) plus an acid filter • Delay, reverb, Glitch, Granular, overdrive • DRIFT / FLUTTER — tape movement on the synth voices and the live input alike • Concert pitch A=415–444 Hz ■ Connect • AUv3 plug-in — as an instrument and as an effect • Ableton Link, MIDI Clock, MIDI out • External audio input (line / microphone) • WAV recording and export One-time purchase. No subscription.