CyanCamera App vs Video Speed Editor

CyanCamera Your phone becomes a numbered camera on your CyanView gateway, shaded live from the same RCP your team already uses on every other camera in the show. Same panel, same workflow, same look as the 210+ camera models CyanView controls. Remote control from the RCP ISO, shutter, iris, exposure compensation, white balance (temperature, tint or 5600K preset), focus, auto focus and zoom respond to the RCP over REMI, with precise fine clicks and configurable knob steps. Custom buttons switch lenses, toggle the look, flip the camera, start recording, switch RTP and SRT, nudge the bit rate, toggle HDMI, lock, zen mode and stabilization. Red, green and call tally light a border around the picture. The RCP sees battery, thermal state, HDMI, codec and free space. REMI Cloud connects the phone to an RCP over the internet, with auto, regional (Asia, Australia, Brazil, EU, US) or manual server selection and a latency probe. Iris priority on iPhone 18 Pro variable aperture lenses (iOS 27). Auto exposure can be fenced inside an operator-set ISO and shutter window, like a limited AGC. Manual values survive restarts and fall back to auto when the RCP is lost, by policy. External control VISCA over IP. Blackmagic zoom and focus demand over USB MIDI. A REST settings API with export, import, reset and status, so a gateway or script configures the phone. Capture HEVC 8 or 10-bit, ProRes 422 Proxy to HQ, Apple ProRes RAW on supported iPhones. Rec.709, P3 D65, Rec.2020 HLG, Apple Log and Apple Log 2, with Log and HLG at 10 bits end to end. Bit rate automatic or fixed up to 240 Mbps, to the photo library, an SSD or any Files folder, with custom file names. Presets from 23.98 to 60 fps in 1080p and 4K, plus 120 and 240 fps. The sensor clock is pinned to the exact fractional cadence. Still photos, stabilization modes, lens-locked or physical-only zoom, 180 degree flip, microphone policies, frame guides, shutter angle display and a thermal monitor that sheds load before iOS throttles. Genlock and timecode With the Blackmagic Camera ProDock, genlock and LTC on BNC lock the phone to house sync, so the feed cuts frame-accurately. Recordings carry a timecode track with offset trim. Timecode can also come from MIDI timecode over the network or NTP. Genlock needs iPhone 17 Pro or later. HDMI output Rec.709, HLG or Apple Log 2 at up to 10 bits through a USB-C adapter, with audio monitoring and anamorphic de-squeeze. Preview and Output modes bake the look on the GPU. Broadcast mode (iOS 27) sends the sensor feed straight to the link at exact cadence with SMPTE ancillary metadata for the lowest latency. Live color shading A GPU port of the CyanView multimatrix: lift, gamma, gain, saturation, hue, local contrast, a 16-vector multimatrix and gate/select, all live from the panel and baked into a 3D LUT scoped per consumer: preview, HDMI, recording or stream. LiveLab LUT stream Load any .cube as your base look. CyanView LiveLab pushes LUTs live over the network and grabs frames for grading. Look and Apple Log to Rec.709 conversions ship in the app. Scopes Native GPU RGB parade, histogram and vectorscope with a configurable refresh rate, plus an audio meter. Streaming RTP for ultra low latency on the local network, a few frames glass to glass, with a lossless path and a control channel into FXVP. SRT for the public internet in caller or listener mode with encryption, AAC audio and NTP timecode SEI for Makito MultiSync. H.264 or H.265, bit rate changes live from the phone or the RCP. Requirements Remote control and shading need a CyanView RCP. Everything else runs standalone. Genlock and LTC need a ProDock. Apple Log 2 needs iOS 26. Broadcast HDMI and iris need iOS 27.

Change video speed from 0.1x all the way to 8x, right on your iPhone or iPad. Video Speed Editor is a fast, offline video speed changer and video speed controller in one — increase video speed for time-lapse and fast-forward effects, or decrease it for cinematic slow motion, without uploading a single file anywhere. Whether you want a simple video speed editor slow & fast, or a full video speed changer with segment-level control, this app covers editor, changer, and controller in one. Three ways to change video speed Full Video — apply one speed to the entire clip. Pick from a wide range spanning slow motion (0.1x, 0.2x, 0.3x, 0.4x, 0.5x, 0.75x) to fast motion (1.25x, 1.5x, 1.75x, 2x, 2.5x, 3x, 4x, 5x, 6x, 8x), with the projected output length shown instantly. Presets — twelve ready-made speed-ramp patterns: Slow Intro, Fast Intro, Slow Middle, Fast Middle, Slow End, Fast End, Dramatic, Pulse, Ramp Up, Ramp Down, Timelapse, and Slow Motion. Each one previews on a color-coded timeline before you commit, so you know exactly what you're getting. Custom (Play & Tap) — play the video and tap a speed at any point to start a new segment there, or drag the timeline to a point without playing at all. Slow down the highlight, speed through the boring bits, speed ramp between them. Every segment stays editable and deletable afterward. Built for real workflows • Increase video speed for time-lapse, hyperlapse, and fast-forward summaries • Decrease video speed for slow motion video, sports replay, and dramatic reveals • Multi-segment speed ramp editing — different speeds for different parts of one clip • Color-coded visual timeline with live playhead, so you always see what's changing • Batch-friendly single-file workflow with instant original-to-output duration preview • Optional custom output filename • Hardware-accelerated encoding — most clips process in seconds • Works fully offline; your videos never leave your device • Premium upgrade removes ads Supported formats Import MP4, MOV, MKV, and other common video formats. Audio speed adjusts automatically, so slowed or sped-up clips never sound chipmunked — timing stays natural throughout. Change video speed for • Vloggers and creators making cinematic slow-mo or snappy fast-forward cuts • Sports coaches and analysts reviewing form frame by frame in slow motion • Fitness trainers demonstrating technique in slow motion for clients • Musicians slowing down performance footage to study timing • Anyone turning a long recording into a quick time-lapse or hyperlapse summary Not included: trimming/cutting video, merging clips, or removing audio — use a dedicated tool for those. This app is focused on one thing: changing video speed, accurately and offline. Why choose Video Speed Editor Most "video speed control browser" tools only work in a browser tab and need an internet connection. This is a standalone app that works completely offline, with no account, no cloud upload, and no watermark on your output — whether you think of it as an editor, a changer, or a controller. The Play & Tap custom editor is the most flexible option — build as many speed segments as you need on a color-coded timeline, or drag straight to a point instead of playing through the whole clip. Presets give you the same multi-segment power in one tap, for a slow-motion intro or a dramatic speed ramp without manual editing. How to use Open Video Speed Editor, select a video, choose Full Video, Presets, or Custom, adjust the speed or segments, then tap Save. Your finished video is saved to the Output Files list, ready to review and share. Download Video Speed Editor and change video speed exactly how you need — slow motion, fast forward, or a custom speed ramp — processed privately, offline, on your iPhone or iPad. Terms of Use: https://www.apple.com/legal/internet-services/itunes/dev/stdeula/ Privacy Policy: https://modern-tools-privacy.netlify.app/?id=c3a8e5f2