CamControl BM vs ZPTH

Control your Blackmagic camera remotely via WiFi, Ethernet, or Bluetooth LE - from your iPhone or iPad. Full control of recording, exposure, focus, iris, codec, monitoring, audio, and playback. Works with Pocket 4K/6K, PYXIS 6K/12K/17K, URSA Cine 12K/17K, URSA Mini Pro, and more. No cloud or account required. APPLE WATCH Roll record, monitor timecode, see battery and card status from your wrist. Direct over WiFi - no phone tether needed. Designed for crane shots, tight rigs, and anywhere your phone can't go. CINE VIEW One-tap declutter mode for set use. Hides everything except the essentials - ISO, WB, Shutter, FPS, Record, Timecode. Built with feedback from working 1st ACs. RECORDING One-tap record. Pre-record buffer (5s-10min). Live timecode. Still capture. EXPOSURE ISO, white balance, tint, shutter angle. Quick presets and step controls. Auto WB. ND filter control. FOCUS AND IRIS Precision slider with Near/Far controls. Unlimited named Focus Profiles with per-profile duration (0.5-5s) and easing - smooth, linear, ease in, ease out. Iris with f-stop readout. Auto-focus trigger. AUDIO Per-channel input selection (mic, 3.5mm, XLR). Gain control with live VU meters. Headphone level. CODEC AND FORMAT BRAW and ProRes. Resolution up to 12K. Multiple aspect ratios. Compression 3:1 to 18:1. HIGH FRAME RATE Off-speed toggle. Custom sensor frame rates for slow motion. MONITORING Focus peaking, zebras (highlight and skin tone), false colour, frame guides, safe area, clean feed output. LUT Manager with per-display toggle for SDI, LCD and USB-C, plus a free .cube library at camcontrol.com.au/luts. COLOR CORRECTION Lift, Gamma, Gain, Offset. RGBL sliders. Contrast, hue, saturation, luma. PRESETS Save and recall complete camera snapshots - ISO, white balance, shutter, codec and format - in one tap. Up to 20 named presets. DIGITAL SLATE Scene, take, reel, shot type and good-take flag. Take number auto-increments after every record stop, so the phone stays out of your way between setups. MULTICAM Gang cameras for sync control. Record, ISO, WB, shutter across up to 10 Blackmagic cameras over WiFi. PLAYBACK Browse and play clips via SDI/HDMI. Transport scrub controls. MEDIA AND METADATA Storage monitoring across media slots. Slate metadata written on set. CONNECTIVITY WiFi and Ethernet (REST API). Bluetooth LE. Auto-discover cameras - no manual IP entry. COMPATIBLE CAMERAS PYXIS 6K/12K/17K, URSA Cine Immersive 17K, URSA Mini Pro 12K, URSA Broadcast G2 via WiFi/Ethernet. Pocket Cinema Camera 4K/6K via Bluetooth LE. Built for cinematographers, 1st ACs, camera ops, DITs, and directors. FREE AND PRO Core control is free. Pro unlocks Apple Watch control, Presets, Digital Slate, Focus Profiles, LUT Manager, Multicam Gang and custom frame guide ratios - one-time in-app purchase.

ZPTH reads the depth in front of you and paints it in real time. Point it at a face, a room, or your hand and watch it become light, contour lines, plasma, chrome, cut paper, or a drifting cloud of dust. Capture a photo or record video straight to Photos — or stream the live preview to your computer over NDI. Fifteen of the modes need no depth sensor at all: a Core ML model running on your device infers depth from a single camera, so they run on both the front and rear camera of any iPhone ZPTH installs on. The other thirty read the front TrueDepth camera, or the rear LiDAR scanner on Pro models. FIFTEEN MODES, NO DEPTH SENSOR NEEDED • Parallax — the camera orbits the scene from one still viewpoint. • Anaglyph — real red/cyan 3D from one lens, plus a glasses-free wiggle. • Aperture — a cinema lens: shaped bokeh, iris blades, a focus puller. • Vertigo — Hitchcock's dolly zoom, live. • Nebula — a cloud that wraps behind people rather than over them. • Motes — dust, snow and embers drifting in the air in front of the scene. • Godlight — sun shafts your hand casts a real shadow through. • Aerial — true atmospheric perspective: haze, distance, a warm sun glow. • Woodblock — an engraving whose hatch lines curve around every surface. • Stipple — ink dots sized by curvature and spaced like a Seurat. • Papercut — the scene as up to 20 torn paper plates, each shadowing the next. • Riso — a risograph print in misregistered spot-colour plates. • Lattice — a scan plane leaves a glowing wireframe mesh in its wake. • Hologram — scanlines, chromatic fringing, a projection cone from below. • Datamosh — codec smear, with depth deciding what tears and what holds. THIRTY DEPTH-CAMERA MODES Environment, Face, Raw, Plasma, Organic, Data, Contour, Hillshade, Chrome, Oil Slick, Pulsar, Sonar, Pin Screen, Voxel, Facets, Light Trails, Miniature, Iron Filings, Dither, Juicy, Aerochrome, Heat Ghost, Solarise, Cymatic, Aquarelle, Tessera, Chemigram, Ripplefield, Ferrofluid and Lichtenberg — from topographic isolines and liquid chrome to false-colour infrared, wet watercolour, Roman mosaic, a vibrating Chladni sand plate, and forking lightning. Pulsar and Cymatic can move to live sound. CREATOR MODE (Pro) Build your own mode. Start from an empty depth field and stack effect layers grouped by function — texture, lighting, lines, edge, colour, bloom. Each layer has its own controls, opacity and blend mode. Shape how they fall through near and far depth, import a photo as a depth-projected tileset, then save it as a named mode. CAPTURE • Tap the shutter for a photo; hold and swipe up to record video. • Everything saves straight to your Photos library. • Double-tap to toggle 3:4 and full-screen 9:16. • Cut to the plain camera and back, even mid-recording. NDI STREAMING (Pro) Broadcast the live preview to OBS, TouchDesigner, vMix and other NDI receivers on your local network, turning your iPhone into a depth-camera source for your desktop. A second optional stream carries the raw camera alongside the effect. Off by default; Wired mode over USB-C lowers latency. PRO ZPTH Pro is a one-time $2 purchase — no subscription. It unlocks the fifteen monocular modes, every other mode's settings, the colour maps, all presets, Creator Mode and NDI streaming. The thirty depth-camera modes are free to explore on their first preset; the monocular modes need Pro. PRIVATE BY DESIGN No accounts, no servers, no analytics, no tracking. Camera frames are processed on the device and never leave it — unless you save a photo or video, or turn on NDI to reach your own computer on your own network. The microphone is used only by Pulsar and Cymatic, is off by default, and is never recorded or transmitted. REQUIREMENTS iPhone only. The monocular modes run on any supported iPhone. The rest need a front TrueDepth camera (iPhone X or later) or a rear LiDAR scanner (Pro models).