DynaSynth vs BLEASS Spectral Resonator

DynaSynth Dynamic Shape Synthesizer (AUv3) DynaSynth is a virtual instrument plugin that can run standalone, or in any AU compatible host such as Logic Pro or GarageBand. Please note that the standalone version does not include a built-in keyboard - you need to connect a suitable MIDI device to play the synth. Overview DynaSynth is an original design based on variable shaped dual analog-flavoured oscillators for each of its 8 voices, that uses its own output to modulate parameters dynamically. This can produce interesting sonic results that would be very difficult, if not impossible to achieve using traditional fixed LFOs and envelopes. That's because: As the sound changes, so does the modulation amount, which changes the sound, which affects the modulation amount... Dynamic / Modulation & Display At the top of the UI is a realtime display of "dynamics", wave shapes and all the modulation being applied. The (D) dynamics indicator is essentially an envelope follower with variable damping that is used as a modulation source for the oscillator shapes (1/2), vibrato (v) and filter (f) cutoff. MIDI Implementation DynaSynth is an 8 voice polyphonic velocity-sensitive MIDI instrument and is playable over a keyboard range from A0 (21) to C7 (96) on any MIDI channel. DynaSynth also responds to mod wheel, expression (CC#11), sustain (CC#64), channel aftertouch, all notes off (CC#123) and pitch-bend. DynaSynth vs. DynaSinth While they can be confusing, the names are very similar on purpose, representing a shared design theme, i.e. a synth that is dynamic. The DynaSynth design actually came first, and it is based on fairly traditional analog-flavoured oscillators. DynaSinth shares the same dynamics engine but with a modified set of parameters designed to complement the sound of its sine wave oscillators. While I like to think both synths have their own character, and can sound fairly unique, DynaSynth is probably more capable of producing familiar analog synth tones, and DynaSinth lends itself more to keys and pads. Both synths are also good for those who like to experiment with "out there" / "Sci-Fi" type sounds, and DynaSynth is probably better suited for that sort of thing. For more info and support please visit: www.waverley-instruments.com/robjackson

By converting audio into the spectral domain, BLEASS Spectral Resonator can shift, blur, filter, and restructure the frequency content of any sound before generating resonances. When blended with the source signal, this adds a controllable layer of pitch and timbre. Used fully wet, it produces rich and complex spectral textures. Resonances can be generated from an internal four-voice tone generator or directly from incoming MIDI notes. With up to eight voices of polyphony, glide, pitch bend, and up to 256 harmonics per voice, BLEASS Spectral Resonator can be played from MIDI to create tuned harmonic resonances and evolving spectral textures. Intuitive controls provide detailed manipulation of the resonator behaviour, including unison, detuning, harmonic stretching, density, damping, decay, and harmonic filtering. Harmonics can be restricted to even or odd series, while spectral shifting and blurring further reshape the resulting resonances. A spectral-domain filter lets you select the frequency range used to excite the resonators. The interactive 3D spectrogram visualises resonator activity over time while also providing direct control over the spectral filter. BLEASS Spectral Resonator also includes Freeze and Kill controls for holding or clearing active resonances. Designed to combine deep spectral processing with an accessible interface, it opens new possibilities for harmonic, rhythmic, and dynamic sound design, including inharmonic or atonal material such as drums. BLEASS Spectral Resonator is also available for Desktop. Find more information here: http://www.bleass.com/spectral-resonator