MIDI MACHINE vs 1981 FM

MIDI MACHINE is a fast, playful performance tool built for generating MIDI melodies on the fly. At the heart of MIDI MACHINE are two creative states: SPARK and STRUCTURE. SPARK mode is all about discovery—rapidly generating fresh melodic ideas and happy accidents. 17 randomized melodic rows drawn from an vast internal library, everything is locked to your chosen key. Each melody is sliced into 10 playable parts, letting you remix and reshape ideas in real time without ever hitting a creative wall. STRUCTURE mode lets you compose and perform with intention and move seamlessly between key pairs to trigger chords. Additionally, genre-based chord-progression suggestions form a real progression from a selected genre, so you can play a coherent sequence. This mode is designed to serve users with and without knowledge of music theory. "Super inspiring tool for sketching melodies quickly, whether you’re in the studio or on the move with a minimal setup. You just start playing around and happy accidents happen."
— early user feedback Core Features * 17 MIDI melody rows per set, automatically harmonized to your chosen key * Each melody split into 10 playable tiles for real-time triggering of your favorite sounds * SPARK mode for instant idea generation and exploration * STRUCTURE mode for fixed chords mapped across key pairs, built in arpeggiator and chord group suggestions * Keep randomizing to generate endless new melodic combinations while keeping your settings * SAVE and recall full sets, including patterns, tempo, and performance modes (SPARK) * Note mode: trigger melodic sequences step-by-step * Chord mode: play full harmonies instantly * Loop ON / OFF: continuously cycle note sequences * Hold OFF: slide across tiles for fluid, continuous runs * Hold ON: trigger full sequences with a single tap * Repeat ON / OFF: retrigger tiles rhythmically (1/4 to 1/64) for pattern creation * Fixed velocity option for consistent dynamics * Edit individual tile MIDI sequences * Reverse entire rows * Octave shift up or down * Double or halve playback speed (Note mode) (STRUCTURE) * Group: Genre-based chord-progression suggestions. Highlights/labels tiles on the grid that form a real progression from the selected genre. * Arp: Turns a held chord into a rolling sequence of individual notes. • Style – 16 note-order patterns (Up, Down, Converge, Pinky Up, Random, etc.). • Rate – Speed of each note: 1/4 to 1/64, relative to BPM. • Groove – Straight (default) or Swing 8/16/32 for a more human rhythmic feel. * Hold OFF: slide across tiles for fluid, continuous runs * Hold ON: trigger full sequences with a single tap * Add automatic Bass Note to each chord * Repeat ON / OFF: retrigger tiles rhythmically (1/4 to 1/64) for pattern creation * Fixed velocity option for consistent dynamics Performance Controls * Global pitch shift in semitones for instant transposition of the entire set * Adjustable BPM with tap tempo and fine control * Flexible visible row count (5–17) for compact or expanded layouts * Scrollable row view with FIRST ROW selection MIDI MACHINE is built for musicians who want a different approach to creating ideas—fast, intuitive, and a little unpredictable. Whether you're sketching melodies or experimenting with generative patterns, it keeps everything playful, unique, and fun."

1981 FM writes complete tracks. Press generate and you get 64 bars with an intro, verses, choruses, a break and an outro, played by a four-operator FM synth. Lead, bass, arp, pad and a drum machine, through chorus, delay and reverb. Nothing is sampled. Every note is made on the fly and no two tracks come out the same. The music comes from chaos maths. A Lorenz attractor shapes the melody, rhythm and mood. A Hénon map keeps the arpeggio moving. A logistic map handles the drum fills: turn it down and they repeat every bar, turn it up and they never do. Chaos on its own is noise, so a small model filters it. It gets rewarded for consonant intervals and practises over the chord changes before it writes anything. The CHAOS / POLICY slider decides how much say each one gets. Ten styles, and they are properly different. Funk plays a 16th-note slap line with ghost notes between the backbeats. Bebop walks the bass and puts the ride in charge of the time. Bossa runs a clave. Space strips the kit back to a pulse. Every track is built from its seed. Write the seed down and you can have that exact track again, note for note, whenever you want it. You can play over it, too. The pads are the notes of the song's key rather than a piano keyboard, so nothing you touch is wrong, and the sixteen-step lane runs in time with the song and follows your host. Both play any part you like: lead, bass, arp or pad, through that part's sound and out on its MIDI channel. Choose which sections the lane plays in - just the choruses, say - and preview it on its own without starting the song. Turn on RADIO and it keeps playing, picking a new key, mode, style and tempo for each track. You also get: • 10 styles, 6 modes, 12 keys, tempo and density • Four-operator FM engine, 6 algorithms, 11 presets, random patch • Five-part mixer, chorus, delay, plate reverb and filter • A PLAY panel: pads in the song's own key, and a 16-step lane running in time with the song and only in the sections you pick • MIDI in, so your keyboard plays whichever part you have selected • MIDI export: five tracks, one per part • Live spectrum, waveform and a view of the chaos engine at work Two Audio Units, an instrument and a MIDI processor. Each part sends on its own MIDI channel, drums on 10, so one instance can drive five instruments. The MIDI version passes your keyboard through instead of swallowing it. Both follow your host's tempo and transport. One install registers both. The app is free and nothing in it is held back. Using the Audio Units inside other apps is a one-time purchase, and each AUv3 session plays for two minutes first so you can try them properly. No account, no ads, no subscription. Works offline.