CACHE vs BLEASS Spectral Resonator

CACHE is a fast and simple sample browser for iPhone, iPad, and AUv3 hosts. It lets you open your own sample folders, browse collections instantly, preview audio files, detect sample key, and drag sounds straight into compatible apps and hosts. Built for producers who work across iOS and iPadOS, CACHE solves a problem that has been strangely overlooked for years: some DAWs and AUv3 hosts still don’t include a proper sample browser. Until now, that often meant digging through Files, switching between apps, and dragging samples in from outside your music workflow. CACHE puts that missing browser exactly where you need it. Use CACHE to: Browse your own sample folders and subfolders Preview one-shots and loops quickly Detect likely sample key for one-shots Drag samples directly into compatible DAWs, hosts, and apps Access collections from local storage, cloud locations, or external drives CACHE does not include any samples and does not make sound on its own beyond sample preview. You must supply your own sample folders. CACHE also does not copy or store your samples internally. It simply bookmarks and browses the folders you choose, so it won’t take up extra storage space with duplicate sample libraries. That makes it especially useful if your sounds live on external storage or outside the app itself.

By converting audio into the spectral domain, BLEASS Spectral Resonator can shift, blur, filter, and restructure the frequency content of any sound before generating resonances. When blended with the source signal, this adds a controllable layer of pitch and timbre. Used fully wet, it produces rich and complex spectral textures. Resonances can be generated from an internal four-voice tone generator or directly from incoming MIDI notes. With up to eight voices of polyphony, glide, pitch bend, and up to 256 harmonics per voice, BLEASS Spectral Resonator can be played from MIDI to create tuned harmonic resonances and evolving spectral textures. Intuitive controls provide detailed manipulation of the resonator behaviour, including unison, detuning, harmonic stretching, density, damping, decay, and harmonic filtering. Harmonics can be restricted to even or odd series, while spectral shifting and blurring further reshape the resulting resonances. A spectral-domain filter lets you select the frequency range used to excite the resonators. The interactive 3D spectrogram visualises resonator activity over time while also providing direct control over the spectral filter. BLEASS Spectral Resonator also includes Freeze and Kill controls for holding or clearing active resonances. Designed to combine deep spectral processing with an accessible interface, it opens new possibilities for harmonic, rhythmic, and dynamic sound design, including inharmonic or atonal material such as drums. BLEASS Spectral Resonator is also available for Desktop. Find more information here: http://www.bleass.com/spectral-resonator