j. Camera vs MITO CAM

Hi, I'm Jeff Hodsdon. I enjoy beautiful photos and the experience of taking them. I made this for camera for others because I feel it is a great experience to use. I appreciate you! Three film looks. Real-time grain. No presets, no AI, no clutter. j. Camera gives you three distinct analog film grades — black & white, deep cool, and warm golden — each rendered live on screen before you shoot. What you see is what you get. Built around real film stock techniques: organic grain, tone curves, and color grading via 3D LUTs. Every photo has texture and character. - Three film grades, switchable in one tap - Live preview of every effect - Dual-camera and single-camera modes - Left or right-handed controls - Flash with on-screen preview Point it at something you love. -j Terms of Use: https://www.apple.com/legal/internet-services/itunes/dev/stdeula/

Not your everyday camera — the one you pull out for the moments worth keeping. 2000s digicam texture, movie colors. Your old photos too • Put any camera and a date stamp on photos and videos already in your library. The date is the day it was taken • Turn the photos sitting in your gallery into old digicam shots Only the cameras you need Ten cameras that are actually worth using, so you never get tired of choosing. • 2000s digicam — punchy color, blown-out highlights, that era's noise. Always free • 2015 — the phone camera from the home-button days. No edits: deep blue skies, deep shade, sunlight blown to white • SNAP — like a photographer friend took it on a big camera. Half-faded color, calm grey shadows, no yellow indoor cast • Shaky phone cam — a little shake, on purpose. Easy to post without overthinking • Camcorder — 90s home video: scan lines, bleeding color, static, even the old camcorder date • Instant camera — soft pastel colors in a white frame. Write a line in the bottom margin, like with a real pen • Hong Kong night — fluorescent green shadows, orange lights • Cinema film — blue shadows, warm lights. Best at night and indoors • Dark — only the lights stay, the shadows go deep • 2012 — an early-2010s phone front camera. Slightly mushy quality, windows blown out to white. Made for selfies and videos Switch as you shoot • Tap a camera above the shutter or swipe the screen to switch — even mid-video • Set the strength anywhere from 0 to 100 • On iPhone 18 Pro, pick the aperture too: ƒ1.48 for a soft background, ƒ4 for everything sharp • Change the camera after you shoot, right in the photo viewer • Search 'MITO VHS' in the Photos app to see only that camera's shots, even if you forgot which one you used • Keep only the cameras you love on the row with Favorites • Flip to the front and your camera stays the same (or let each side keep its own) Saved as you see it • The colors on your screen are the colors you save • No face reshaping, no skin smoothing • Video in the same colors, at 24, 30 or 60 fps That digicam feel • An orange date stamp in the corner ('26 10 08) • 3:4, 9:16, 1:1 and 2.39 frames, plus movie-subtitle stills • Apply any camera to photos and videos already in your library — the place stays, and the date stamp shows the day it was taken • Lock Screen, Control Center, Action button, widgets and an Apple Watch shutter Free at its core • The 2000s digicam is always free and unlimited • The other cameras develop 3 photos and 1 video a day for free (the camcorder gets its own 1 photo and 1 video). Anything after that isn't lost — it waits in 'Kept for you' • Passes: a one-month pass (no auto-renewal) or lifetime at a launch price. Try everything on the pass screen before you buy No account, no ads. Your photos never leave your phone.