16 Drones vs ANALOGy8

16 Drones is an ambient drone synthesizer built for evolving textures, harmonic soundscapes, and expressive in-key performance. Shape layered drones with a custom wavetable engine, per-voice controls, per-voice custom drone envelopes, and an additional subtractive layer. Then perform on top with a dedicated Play voice that stays in the same scale. Designed to be deep but immediate, 16 Drones gives you rich timbral control, musical scale exploration, expressive performance options, flexible MIDI workflow, and both standalone and AUv3 operation. Features: 16 drone voices for layered evolving textures Custom wavetable synthesis with per-voice control Per-voice custom drone envelopes for motion and character An additional subtractive layer for extra depth and weight A dedicated Play voice for expressive in-key performance Rich musical and exotic scales Standalone app and AUv3 instrument support MIDI input support for performance and control MIDI Learn for fast hardware mapping Aftertouch expression support, including polyphonic aftertouch Factory presets for fast inspiration

ANALOGy8 Virtual Analog Synth (AUv3) ANALOGy8 (“analog-ee eight”) is an AUv3 virtual instrument plugin that can run standalone, or in any AUv3 compatible host such as Logic Pro, GarageBand or AUM. Please note that the standalone version does not include a built-in keyboard - you need to connect a suitable MIDI device to play the synth. Overview ANALOGy8 is an 8 voice polyphonic, or mono virtual analog synthesizer. Each voice has 3 variable shape oscillators with wave folding, plus a noise source. There are independent amplitude envelopes and velocity-sensitivity for all 3 oscillators and the noise source. This is slightly unusual, and can be used very creatively when designing sounds. ANALOGy8 also includes independent pitch bend ranges for all 3 oscillators, and bends can be quantised according to a musical scale so your pitch bends will always be in tune. The filter stage comprises two independent variable mode filters per voice, with two and four pole variations of lowpass, bandpass and highpass ladder filters, with drive / saturation. Filter cutoff can also be modulated with velocity. Each filter has its own ADSR envelope. Each oscillator and noise source can be routed to different filters independently, or bypass the filter stage completely. This is another slight departure from typical synth designs. There are four independent modulation sources per voice. Each source comprises a variable shape LFO with its own ASR envelope. LFOs can be sync’d to host tempo or set to drift in an “analog-ee” way. LFOs can also be switched off allowing the modulation source to be used as a simple ASR envelope. Modulation sources can be assigned to 22 voice parameters - 1 mod source per parameter. For example, mod source 3 could be assigned to the pitch of oscillator 2 and the cutoff of filter 1, and so on. As modulation occurs independently for each voice (i.e individual played notes), the modulation capabilities of ANALOGy8 make it an interesting choice for anyone who likes evolving, or even slightly unpredictable sounds and textures. The effects section includes an analog-flavoured delay with host tempo sync option, “random reverse” and “octave grains” effect, a lush stereo phaser, a variable size reverb and a compressor / limiter stage with optional clipper. ANALOGy8 comes with 135 factory presets and has a "generate" feature that can be used to create new user presets. For more info and support please visit: www.waverley-instruments.com/robjackson