Jynth vs BattleFX

Meet Jynth, the new synth by Fingerlab for iPhone, iPad and Mac — the warm, analog soul of the iconic Roland Juno-106, reimagined with a groundbreaking Physics Engine for organic, living sound. Designed for leads, basses, keys & pads, Jynth delivers that classic vintage character you love — housed in a meticulously crafted, photo-realistic interface that looks as good as it sounds. Shape your sound with a full analog-style signal chain: From the dual oscillators and resonant VCF filter to the ADSR envelope, LFO and built-in arpeggiator — every parameter has been carefully tuned to feel as musical as it sounds. Go further with 6 studio-grade effects: Tremolo, Flanger, Overdrive, Chorus, Delay & Reverb — stack them to build rich, evolving textures and cinematic soundscapes. Bring your presets to life with the Physics Engine: This is where Jynth truly stands apart. Assign up to 8 physics-driven modulations to any synth or effect parameter. Gravity, bounce, impulse, angle — let the laws of physics shape your sound in ways no LFO ever could. Every preset becomes unique, every performance feels alive. Explore new sonic territory with Preset Per Note & Preset Ribbon: Inspired by the music of Aphex Twin, Preset Per Note lets you assign a different preset to each key of the piano keyboard — so every note triggers an entirely different sound. Take it further with Preset Ribbon: select a collection of presets and glide between them in real time, simply by sliding your finger across the ribbon. A new way to perform. A new way to play. Play anywhere, plug into anything: Jynth is universal — one purchase gives you the full experience on iPhone, iPad and Mac. Use it as a standalone app or load it as an AudioUnit (AUv3) plugin directly inside your favorite DAW. Pair it with your MIDI controller via MIDI In support, and your sound is always there — even when your screen is off, thanks to Audio Background mode. Unlock the Full Version to access preset creation, all factory presets, FX, Physics Engine, Randomizer, Undo, Preset Per Note & Preset Ribbon. Features: Synth Engine • VCO with Pulse Width Modulation — Square, Saw, Sub & Noise oscillators • High-Pass Filter • VCF Filter with Frequency, Resonance, Envelope, LFO & Keyboard tracking • LFO with Rate, Delay & Depth • VCA Gate mode • Full ADSR Envelope • Glide (Portamento) • Arpeggiator with Tempo, Pattern, Step Division, Octave Range & Gate Effects • 6 FX: Tremolo, Flanger, Overdrive, Chorus, Delay & Reverb Physics Engine • 8 independent physics-based modulation scenes • Per-stage controls: Speed, Gravity, Bounce, Impulse, Angle & more • Assignable to any synth or FX parameter Preset Per Note • Assign a different preset to each key of the keyboard • Autofill with random presets by category Preset Ribbon • Select a collection of presets and glide between them in real time • Switch sounds on the fly while playing • Perfect for live performance Workflow • 100 factory presets • Preset Randomizer • Preset Import & Export • Undo • Live Audio Recording • Full MIDI & MIDI Mapping • Audio Background support • AudioUnit (AUv3) support • Universal: iPad, iPhone & Mac Questions or feedback? We'd love to hear from you: contact@fingerlab.net Enjoy Jynth! Fingerlab Team

BattleFX was created to satisfy the common request of a dedicated plugin for the send effects in Battalion. The famous "Shatter Delay" and "Headspace Reverb" can now be used on any track. We have included a fully-featured set of mix controls, as well as Solo and Mute, so that you can hear or use each portion individually. Included is the Maximize and EQ section from the Master portion of Battalion, which have quickly become a signature sound of the device, and something fans have requested to use elsewhere. Versatile enough to be used as both a utility-tool and full creative effect, it is the right squad-partner to keep always at your side in the field and trenches. In addition, we have added a system for automatically choking the delay and reverb buffers at repeating intervals, including a Euclidean pattern knob. These can be tempo synced or free, controlled independently on reverb and delay, and even nudged slightly off of the beat in either direction. You can use this to create complex, organic ducking patterns, especially in conjunction with a noisy input and the Maximize knob turned up. If this is your first introduction to a piece of Battalion, be sure to check out the full drum synth itself, which includes everything here besides the automatic choke system (as this can be done directly by sidechaining drum hits).