Melthaven vs bitcrust

Melthaven is a note-triggered phase shifter built to give guitarists and bassists organic, rhythmic movement that syncs to their playing, rather than a fixed LFO. It's also highly suited for a number of synth basses and sounds with sharp attacks and fast decays. Its analog-modeled OTA filters provide deep resonance and character, ranging from wah-like effects to complex, shifting formant textures or even experimental tones, like bubbling or hard, slappy effects. For bright, harmonically dense signals – such as saturated or overdriven tones and synthetic sounds – the effect range also includes growls and glistening sweeps. FOCUSED ON BASS & GUITARS The effect was specially developed to respond to the frequency response and transient peaks of electric guitars and basses. Every pluck, pop, or pick attack re-triggers the phase sweep, effectively turning your rhythmic timing into the "engine" of the effect. USING LOOPS? BREAK THEM OPEN Add various resonant effects like growls, or vintage bark / quacks "after the fact." This unlocks a level of control usually lost the moment a loop is bounced. Instead of being stuck with locked-in sound design, you can now reshape the envelope of any pre-recorded sample, breathing new life into your loop library. FOR SYNTHS & SOUND DESIGN: INPUT DEPENDENT Soft signals like pads or heavy/layered effects can produce wild, unpredictable responses. While such use is outside the plugin's core design, the smoothing feature can tame these re-triggers, yielding a flow that can feel organic and physical in its instability when operating beyond the plugin’s transient-focused comfort zone. MOVING BEYOND ENVELOPE FILTERS The plugin uses low-latency note detection paired with its own envelope generator and LFO, allowing sculpting and even reshaping each note’s modulation profile or filter envelope. It even detects notes that hide under a consistent signal amplitude when using a traditional envelope follower. BASE FEATURES: - Built around a versatile preset from the Pro version to suit a wide variety of applications - Controls: feedback & panoramic position, attack & hold timings, LFO Rate - Smoothing: from envelope shaping to creating a weighted, fluid response, giving note sequences a sense of physical momentum - Low-latency engine: preserves natural playing feel when used as a real-time effect PRO FEATURES - Requires Pro Edition Upgrade (In‑App Purchase): - Additional envelope parameters, several envelope flavors with pre-mapped control subsets - Pro presets encompassing both strong and milder effects, including the quintessential rubber bass - Enhanced stereo phaser modes & internal stereo re-imaging modulator (for formant-like effects and more) - Vintage-style phaser feedback that can optionally build or ramp with each note onset (non-rampable in the base version) - Instant visual feedback via an audio scope with dual-channel envelopes overlaid on the input waveform TECHNICAL NOTES: - Place before creative effects (unless experimenting). It can be used before or after harmonic processing (saturation, amp sims) depending on your preference - Response may vary on sustained notes with shifting harmonic content - Not optimized for upright bass due to its reliance on sharp signal transients - Note detection involves statistical signal processing and confidence intervals. Weak transients and phantom notes could lead to a loss of output determinism, i.e. sensitivity to changes in certain project settings - While it offers multiple layers of real-time control, Melthaven operates primarily as an automatic effect; for full manual filter manipulation, please refer to RealPhase, a separate app PLEASE NOTE: • The Pro Edition Upgrade is offered as a one‑time In‑App Purchase • An AUv3-compatible host is required to use this app • Suported sampling rates: 44.1, 48, 96 kHz

bitcrust is a polyphonic synthesizer built around a SID-style voice architecture: three oscillators per voice, up to twelve voices, with ring mod, hard sync, and the pulse-width behaviour that defined a generation of 8-bit sound. The DSP is an in-house, clean-room implementation written from the public MOS 6581 register map and general DSP literature. It's not an emulator port, so bitcrust sounds SID-adjacent without inheriting the license constraints that keep most SID-inspired tools off the major app stores. Sonically it sits between a chip synth and a modern subtractive. The voice core still does gritty arp basses, zap leads and 8-bit percussion, but the architecture around it (three LFOs, a per-voice mod envelope, an 8-slot modulation matrix, and a 6-slot post-SID FX rack with drive, bitcrusher, tempo-synced delay, chorus, reverb, compressor and limiter) pushes it into pad, keys and texture territory. WHAT THIS PURCHASE INCLUDES Universal Purchase: one price buys the Mac app plus the iPad version (Standalone and AUv3). On the Mac, the App Store build is the Standalone app only. No AU, no VST3: the Mac App Store doesn't distribute plugin formats. AU and VST3 versions are available separately; details at anode-labs.com/bitcrust. The iPad build is a co-equal target, not a downscale. The full 179-preset factory library, all 14 themes, and the complete mod matrix and FX rack ship on both platforms. • Voice core: 12-voice polyphony, 3 oscillators per voice, SID-style triangle / saw / pulse / noise with hard sync and ring mod, per-VCO ADSR • Filter: global VCF (LP / BP / HP) with live curve, selectable 6581 / 8580 chip model, Vintage vs. Modern oscillator mode • Modulation: 3 global LFOs (7 shapes, host-sync or Hz), per-voice mod envelope, 8-slot matrix, MIDI sources (velocity, poly AT, channel AT, mod wheel, pitch bend) • FX rack: 6 slots, drag-to-reorder, per-slot bypass / mix; Drive (5 modes), Bitcrusher, Delay (tempo-sync), Chorus, Reverb, Compressor, Limiter. Every FX parameter is a modulation destination. • MIDI: 16-step sequencer, arpeggiator (Up / Down / UpDown / Random, 6 rate divisions, octave range), MIDI Learn on every knob, note Hold • Presets: 179 factory patches across 10 groups, full-metadata save (author, description, tags), Preset Preview audition without committing, A/B snapshot compare, XML import / export • UI: 6-tab navigation, 14 themes with optional phosphor / CRT overlays, monitor strip (oscilloscope, vectorscope, FFT spectrum, 3D spectrogram, stereo field), QWERTY note typing from any tab Mac: Standalone app, universal binary (Apple Silicon + Intel), macOS 12 (Monterey) or later. iPad: AUv3 extension plus a Standalone for headphone jamming. In-DAW use on iPad needs an AUv3 host (GarageBand, Logic Pro for iPad, AUM, Cubasis and so on). Support: https://anode-labs.com/bitcrust · support@anode-labs.com Privacy policy: https://anode-labs.com/privacy