Tapko Komp vs ANALOGy8

Tapko Komp is built for moments when compression needs to be fast, clear, and dependable. It is especially at home in live setups: one main Amount control, five musical modes, readable metering, and no deep menus to slow you down. Put it on vocals, bass, drums, buses, backing tracks, or a live input and get controlled dynamics quickly. It also works just as well for everyday mixing, production, and sound design when you want useful compression without overthinking the setup. Choose between five compression flavors: - Soft for transparent leveling - Glue for bus-style cohesion - Bass for steady low-end control - Punch for transient-friendly compression - Hard for heavier squeeze and attitude Set the mode, turn Amount, and shape the result in seconds. The interface shows gain reduction, output peak, and lift metering so you can see both how much Tapko Komp is compressing and how much auto makeup is bringing quieter details forward. Features: - One-slider compression workflow for quick live decisions - Five mode voicings for different sources - Real-time gain reduction and lift metering - Output peak readout in dBFS - Output gain trim - Low CPU mode for lighter sessions - Factory presets plus save and delete for user presets - AUv3 support for compatible iOS hosts Support: https://tapko.davidguva.se

ANALOGy8 Virtual Analog Synth (AUv3) ANALOGy8 (“analog-ee eight”) is an AUv3 virtual instrument plugin that can run standalone, or in any AUv3 compatible host such as Logic Pro, GarageBand or AUM. Please note that the standalone version does not include a built-in keyboard - you need to connect a suitable MIDI device to play the synth. Overview ANALOGy8 is an 8 voice polyphonic, or mono virtual analog synthesizer. Each voice has 3 variable shape oscillators with wave folding, plus a noise source. There are independent amplitude envelopes and velocity-sensitivity for all 3 oscillators and the noise source. This is slightly unusual, and can be used very creatively when designing sounds. ANALOGy8 also includes independent pitch bend ranges for all 3 oscillators, and bends can be quantised according to a musical scale so your pitch bends will always be in tune. The filter stage comprises two independent variable mode filters per voice, with two and four pole variations of lowpass, bandpass and highpass ladder filters, with drive / saturation. Filter cutoff can also be modulated with velocity. Each filter has its own ADSR envelope. Each oscillator and noise source can be routed to different filters independently, or bypass the filter stage completely. This is another slight departure from typical synth designs. There are four independent modulation sources per voice. Each source comprises a variable shape LFO with its own ASR envelope. LFOs can be sync’d to host tempo or set to drift in an “analog-ee” way. LFOs can also be switched off allowing the modulation source to be used as a simple ASR envelope. Modulation sources can be assigned to 22 voice parameters - 1 mod source per parameter. For example, mod source 3 could be assigned to the pitch of oscillator 2 and the cutoff of filter 1, and so on. As modulation occurs independently for each voice (i.e individual played notes), the modulation capabilities of ANALOGy8 make it an interesting choice for anyone who likes evolving, or even slightly unpredictable sounds and textures. The effects section includes an analog-flavoured delay with host tempo sync option, “random reverse” and “octave grains” effect, a lush stereo phaser, a variable size reverb and a compressor / limiter stage with optional clipper. ANALOGy8 comes with 135 factory presets and has a "generate" feature that can be used to create new user presets. For more info and support please visit: www.waverley-instruments.com/robjackson