SoundMess Lab vs bitcrust

SoundMess Lab is a careful, offline sound measurement tool for iPhone and iPad. Built for musicians, producers, podcasters, acoustic enthusiasts, and anyone who wants to understand what they're hearing. WHAT IT MEASURES • SPL meter — A/C/Z weighting, Fast/Slow/Impulse time weighting, Leq, L10, L90, Lmax, Lmin, Lpeak, with one-tap session reset • Real-time analyser — 1/1 to 1/24 octave bands with peak hold • FFT — Hann, Hamming, Blackman, Blackman-Harris windows, sizes up to 65,536, exponential averaging • Spectrogram — five tuned colour palettes, live and rolling (Pro) • RT60 — per-octave-band reverberation time, ISO 3382-2 T20 method with interrupted pink noise (Pro) • Signal generator — sine, pink, white, swept sine (Pro) • Reference-tone calibration — trim every reading against a known 94 dB source (Pro) BUILT CAREFULLY SoundMess Lab implements the IEC 61672 A/C/Z weighting curves with published coefficients to 10 decimals, Paul Kellett pink noise, and ISO 3382-2 T20 linear regression for RT60 fitting. Every reading shows a confidence indicator so you know which frequencies you can trust — built-in iPhone microphones have known hardware limits below 500 Hz and above 8 kHz, and we don't pretend otherwise. HONEST ABOUT LIMITS Every phone microphone has physical constraints. SoundMess Lab shows you where it can be trusted and where it can't. It's a serious listening tool for creative work — not a replacement for a calibrated measurement microphone in professional field acoustics or compliance settings. PRIVACY BY DESIGN Nothing you measure ever leaves your device. No account, no analytics, no ads, no cloud. Audio is only written to disk when you start a recording, and those files stay in your app sandbox until you choose to share them. FREE INCLUDES SPL meter (with L10 / L90 / session reset), 1/3-octave RTA, FFT (4096 · Hann), per-device microphone compensation, five themes. PRO UNLOCKS Spectrogram (live + rolling), RT60 room-acoustics measurement, fractional RTA (1/6, 1/12, 1/24), advanced FFT (sizes up to 65,536, Hamming / Blackman / Blackman-Harris windows, exponential averaging), signal generator (sine / pink / white / sweep), recording & playback, WAV / CSV / PDF export, reference-tone calibration, external mic calibration-curve import (.txt / .frd). PRICING • $8.99 one-time Lifetime · Family Sharing supported One-time purchase. No subscription, no auto-renew. BUILT FOR THE WORK Most sound apps optimise for the spike — big colourful needles and "how loud is a rock concert" trivia. SoundMess Lab is built for the work: reading a room, shaping a mix, checking a speaker, measuring a decay, teaching acoustics. Careful DSP, calm UI, no noise.

bitcrust is a polyphonic synthesizer built around a SID-style voice architecture: three oscillators per voice, up to twelve voices, with ring mod, hard sync, and the pulse-width behaviour that defined a generation of 8-bit sound. The DSP is an in-house, clean-room implementation written from the public MOS 6581 register map and general DSP literature — not an emulator port — so bitcrust sounds SID-adjacent without inheriting the license constraints that keep most SID-inspired tools off the major app stores. Sonically the plugin sits between a chip synth and a modern subtractive. The voice core can still do gritty arp basses, zap leads, and 8-bit percussion, but the surrounding architecture — three LFOs, a per-voice modulation envelope, an 8-slot modulation matrix, and a 6-slot post-SID FX rack with drive, bitcrusher, tempo-synced delay, chorus, reverb, compressor, and limiter — extends it into pad, keys, and texture territory. Universal Purchase: one price buys the Mac Standalone plus the iPad AUv3. The iPad build is a co-equal target, not a downscale — the full 113-preset factory library, all 14 themes, and the complete mod matrix / FX rack ship on both platforms. Voice core: 12-voice polyphony, 3 oscillators per voice, SID-style triangle / saw / pulse / noise with hard sync and ring mod, per-VCO ADSR Filter: global VCF (LP / BP / HP) with live curve, selectable 6581 / 8580 chip model, Vintage vs. Modern oscillator mode Modulation: 3 global LFOs (7 shapes, host-sync or Hz), per-voice mod envelope, 8-slot matrix, MIDI sources (velocity, poly AT, channel AT, mod wheel, pitch bend) FX rack: 6 slots, drag-to-reorder, per-slot bypass / mix; effect types Drive (5 modes), Bitcrusher, Delay (tempo-sync), Chorus, Reverb, Compressor, Limiter — every FX parameter is a modulation destination MIDI: 16-step sequencer, arpeggiator (Up / Down / UpDown / Random, 6 rate divisions, octave range), MIDI Learn on every knob, note Hold Presets: 113 factory patches across 10 groups, full-metadata save (author, description, tags), Preset Preview audition without committing, A/B snapshot compare, XML import / export UI: 6-tab navigation, 14 themes with optional phosphor / CRT overlays, monitor strip (oscilloscope, vectorscope, FFT spectrum, 3D spectrogram, stereo field), QWERTY note typing from any tab Mac: Standalone app with universal binary (Apple Silicon + Intel). iPad: AUv3 extension plus a Standalone for headphone jamming. A supported AUv3 host is required for in-DAW use on iPad (GarageBand, Logic Pro for iPad, AUM, Cubasis, etc.). Support: https://anode-labs.com/bitcrust · support@anode-labs.com Privacy policy: https://anode-labs.com/privacy What's new in 1.0.0: First release.