MetaSkew vs Wreck

MetaSkew is a granular delay and pitch-shift effect built for producers, musicians, and sound designers who want one processor for width, motion, ambience, and controlled damage. What you can shape: - Delay time from tight doubling to long phrase memory - Pitch from deep drops to shimmer intervals - Grain size, smoothing, and gain for soft clouds or chopped repeats - Feedback, pan, mix, and output for clean blend control - Latch for frozen textures and phrase-end captures - Spread and Skew for stereo width, asymmetry, and unstable character The signature Skew control is the fastest way to move from polished enhancement into unstable texture. Keep it low for subtle smear, or push it with Spread, Feedback, and LFO movement for broken motion. Modulation is built in. Three LFOs can run free or sync to musical divisions, with Sine, Triangle, Sample & Hold, and Saw shapes. Route movement to Delay, Pitch, Grain, Smoothing, Feedback, Mix, Pan, Spread, or Skew, then push subtle drift or obvious rhythmic motion. Presets are designed around real production jobs, not random patches. Browse Utility, Width, Pitch, Atmosphere, Motion, Rhythmic, Freeze, Destruction, and Signature categories. Save your own snapshots, recall them later, and keep user presets synced through iCloud when available. For hands-on control, MIDI Learn lets you map parameters to hardware. Default assignments cover the core effect, and MIDI CC broadcast can reflect parameter movement in connected setups. Use MetaSkew for: - Vocal throws and shimmer trails - Wide synth doubles and guitar halos - Drum stutters, glitch fills, and tempo-locked motion - Frozen pads and transition beds - Experimental resynthesis, smear, and warped ambience MetaSkew includes a standalone app and effect plugin for host apps that support AUv3 plug-ins.

WRECK destroys audio in the most musical ways possible. Reduce bit depth down to 1-bit dust. Decimate the sample rate to dial frequencies. Smear jitter across the clock. Mangle wavecycles at the zero-crossing level. WRECK puts every form of digital degradation in one place. Clean destruction or full collapse — it's yours. — BITCRUSHER — Bit Depth from 24 down to 1. Dead Zone and Dither shape the quantization character. Quant Mode selects the rounding algorithm. — SAMPLE RATE REDUCER — Decimate the sample rate from full down to aliased chaos. Tempo sync locks it to your host BPM. Jitter adds clock instability. — CYCLE MANGLER — Operates on individual wavecycles. Amount controls how aggressively cycles are reshaped. Shape blends between cycles. Sens sets the zero-crossing detection threshold. — DRIVE SECTION — Drive pushes the signal. Bias offsets the waveform asymmetrically. Alias adds deliberate aliasing artifacts. Oversample when you need clean destruction instead. — FILTERS — Pre and post filters (cutoff + Q) bracket the destruction. Shape what goes in, shape what comes out. — MIX & OUTPUT — Dry/wet blend for parallel destruction. Output gain to compensate. — AUv3 PLUGIN — Run WRECK inside AUM, ApeMatrix, Audiobus, or any AUv3 host. Multiple instances, each with independent settings. — WORKS ON — iPhone and iPad, all modern screen sizes.