BLEASS Spectral Resonator vs FinalFX

By converting audio into the spectral domain, BLEASS Spectral Resonator can shift, blur, filter, and restructure the frequency content of any sound before generating resonances. When blended with the source signal, this adds a controllable layer of pitch and timbre. Used fully wet, it produces rich and complex spectral textures. Resonances can be generated from an internal four-voice tone generator or directly from incoming MIDI notes. With up to eight voices of polyphony, glide, pitch bend, and up to 256 harmonics per voice, BLEASS Spectral Resonator can be played from MIDI to create tuned harmonic resonances and evolving spectral textures. Intuitive controls provide detailed manipulation of the resonator behaviour, including unison, detuning, harmonic stretching, density, damping, decay, and harmonic filtering. Harmonics can be restricted to even or odd series, while spectral shifting and blurring further reshape the resulting resonances. A spectral-domain filter lets you select the frequency range used to excite the resonators. The interactive 3D spectrogram visualises resonator activity over time while also providing direct control over the spectral filter. BLEASS Spectral Resonator also includes Freeze and Kill controls for holding or clearing active resonances. Designed to combine deep spectral processing with an accessible interface, it opens new possibilities for harmonic, rhythmic, and dynamic sound design, including inharmonic or atonal material such as drums. BLEASS Spectral Resonator is also available for Desktop. Find more information here: http://www.bleass.com/spectral-resonator

FinalFX (“final effects”) is an AUv3 effects plugin that can run standalone, or in any AUv3 compatible host such as Logic Pro, GarageBand or AUM. FinalFX currently runs on iOS (iPad & iPhone) and macOS (Intel & Silicon) and is available as a Universal Purchase from the Apple App Store. If you’re planning on using FinalFX on Mac / desktop, please ensure that your favourite DAW / host supports AUv3 (not just AU). Overview FinalFX is a collection of audio processors useful for mixing and mastering, often referred to as a “channel strip”. Typically you’d add FinalFX literally as your final effects on a stereo master or mix bus channel. FinalFX has been specifically designed to introduce no additional latency in the audio processing chain, and as the CPU load has also been minimised, it can be used in live sound applications. FinalFX comprises three main modules: EQ is a general purpose six band equaliser that can also process in mid / side mode. The frequencies and resonances for each band are fixed, so this EQ is more about subtle, overall tone-shaping, than surgical precision. For example, reducing bass or adding presence. The EQ’d signal can also be mixed with the original dry signal. MID / SIDE focusses on the stereo image with individual gain controls for the middle and sides content of stereo audio, as well as an overall width control which can reduce a stereo signal down to mono. COMPRESSOR / LIMITER adjusts final dynamics and loudness and comprises two compressors in series with variable threshold and ratios. The first compressor stage also has a mix control. This section also includes a variable soft / hard clipper stage and overall output volume control.