Wreck vs TwinPath

WRECK destroys audio in the most musical ways possible. Reduce bit depth down to 1-bit dust. Decimate the sample rate to dial frequencies. Smear jitter across the clock. Mangle wavecycles at the zero-crossing level. WRECK puts every form of digital degradation in one place. Clean destruction or full collapse — it's yours. — BITCRUSHER — Bit Depth from 24 down to 1. Dead Zone and Dither shape the quantization character. Quant Mode selects the rounding algorithm. — SAMPLE RATE REDUCER — Decimate the sample rate from full down to aliased chaos. Tempo sync locks it to your host BPM. Jitter adds clock instability. — CYCLE MANGLER — Operates on individual wavecycles. Amount controls how aggressively cycles are reshaped. Shape blends between cycles. Sens sets the zero-crossing detection threshold. — DRIVE SECTION — Drive pushes the signal. Bias offsets the waveform asymmetrically. Alias adds deliberate aliasing artifacts. Oversample when you need clean destruction instead. — FILTERS — Pre and post filters (cutoff + Q) bracket the destruction. Shape what goes in, shape what comes out. — MIX & OUTPUT — Dry/wet blend for parallel destruction. Output gain to compensate. — AUv3 PLUGIN — Run WRECK inside AUM, ApeMatrix, Audiobus, or any AUv3 host. Multiple instances, each with independent settings. — WORKS ON — iPhone and iPad, all modern screen sizes.

TwinPath enables parallel effects processing using your existing Audio Units, without configuring busses or complex routings. It hides the details of managing multiple signal paths, and offers a compact, quickly accessible control interface. The result is a consistent setup you can easily recreate in any DAW, regardless of how each host handles audio routing. Among its possible applications, TwinPath pairs especially well with delay effects for dynamic performances. Shifting focus from deep editing to switching between (or blending) entire modules opens up a new perspective and new features – especially when feedback delays are involved. And of course, both approaches can be applied at the same time. Once inserted into a track’s effects chain, TwinPath handles splitting and merging audio streams and provides several convenience features. It offers two main classes of operation: CROSS-FADE • Blend between two effects chains using a single control • Switchable pre/post operation: pre mode preserves effect tails and lets feedback effects "breathe", while post mode offers instant, direct control DUAL MONO • Run different effects chains for Left/Right, Mid/Side, or a continuous blend between them • Channel mapping and FX bias are smooth, performance-friendly controls • Quick and efficient workflow replacement that overcomes functional limits of stock dual mono modes, such as restrictions on independent preset loading PLEASE NOTE: • An AUv3-compatible host is required to use this app