Multimode Ladder Filter vs ClockTear

A 4-pole (24 dB/oct) ladder filter modeled after the topology designed by Robert Moog in 1965. Four cascaded one-pole stages with tanh saturation at input and feedback produce warm analog-style distortion that scales with drive and resonance. Five filter modes (lowpass, highpass, bandpass, notch, and resonant) cover everything from classic subtractive sweeps to sharp self-oscillating leads. Resonance drives the filter to self-oscillation at high values, generating a sine tone at the cutoff frequency. A dry/wet control enables parallel filtering.

Clock Tear is a digital instability processor built around failing clock behavior. Instead of simple bit crushing, Clock Tear holds, slips, stutters, folds, drops, and damages the signal based on input activity, drift, jitter, and the selected clock mode. Four modes move from subtle timing instability to heavier fractured playback and collapse-style digital failure. Features • Clock-based sample hold and timing damage • Four clock failure modes: Slip, Stutter, Tear, and Collapse • Drift and jitter-driven clock wobble • Dropouts, stutters, folding, and digital interruption Modes Slip – Sample-hold clock slipping with the shortest failure range. Stutter – Adds repeating stutter behavior to the clock damage. Tear – Adds stronger clock tearing with drive and foldback-style damage. Collapse – Combines the widest clock failure range with stronger stutter, folding, and drop behavior. Controls Tear – Sets the main clock damage and drive intensity. Mode – Selects Slip, Stutter, Tear, or Collapse behavior. Tone – Shapes the artifacts from darker to brighter. Drift – Adds slow clock movement and stereo wobble. Jitter – Adds faster random clock instability. Drop – Introduces intermittent dropouts and level collapses. Glue – Adds saturation and makeup cohesion after the damage. Mix – Blends dry and processed signal.