A«iD vs DotMatrix Studio

A«iD is an audio-reactive video synthesizer inspired by Eric Siegel's legendary EVS Electronic Video Synthesizer from the 1970s. ——— THE CHAIN ——— Modules process the video signal in real time. Stack them in any order, tap to open controls, drag to reorder, long-press to bypass. GEOMETRY SOURCE — Generate a synthetic shape and composite it over the signal. Circle, diamond, bar, cross, ring, triangle, hexagon — or load your own SVG, PNG, or PDF as a custom mask. Position, size, hue, and edge softness are all independently audio-modulatable. FEEDBACK — Route the processed signal back into itself. Pinch and rotate on the canvas to control zoom and spin in real time. KEYER — Unified luma and chroma key in a single module. Cut foreground from background by luminance or isolate a color as a matte. Tap the eyedropper to sample any color directly from the screen. Pairs visually with COMPOSITE in the chain — the signal knows where it's going. COMPOSITE — Layer the processed chain behind a clean camera cut using luma and chroma mattes simultaneously. COLOR MATRIX — Rotate, invert, and cross-channel the RGB color space. Strange colors guaranteed. HUE LFO — Oscillate the hue channel at tempo-synced rates. Psychedelic pulsing locked to the beat. PHOSPHOR DECAY — Emulate CRT phosphor persistence. Past frames linger like burned afterimages. BURN ECHO — Additive frame echo that saturates toward white. Motion leaves a scorched trail. DV TAPE — Analog dropout and compression artifacts from the era of consumer DV camcorders. HALATION — Film halation glow on bright areas. Warm blooming on highlights. CHROMA SMEAR — Horizontal chroma bleed and compression fringing. SCAN DISPLACE — Rutt/Etra-inspired raster displacement. Each scanline shifts horizontally by audio frequency content mapped to vertical position — bass warps the bottom, treble the top. The entire frame becomes a spectrum warp field. EDGE OUTLINE — Sobel edge detection with colored glow, inspired by Stephen Beck's Direct Video Synthesizer. Flat areas go dark; edges light up in the chosen hue and bloom outward. COLORMAP — Remap luminance to color. Five palettes: Thermal (heat vision), Psychedelic (full hue rotation, classic Siegel PCS), Phosphor (P1 green CRT), Ice, and Neon. Every pixel's brightness becomes a new color. RASTER BEND — Distort the scan lines. Warp the geometry of the image itself. MIRROR — Fold, flip, and tile the frame into kaleidoscopic symmetry. TILE — Repeat, scale, and rearrange the frame in a grid. POSTERIZE — Reduce color depth. Hard edges, flat planes, screen-print aesthetics. TRANSFORM — Rotate, scale, and reposition with full affine control. CHANNEL MIX — Blend and cross-route RGB channels independently. ENCODER — NTSC-style composite encoding. Color bleeding and luminance separation. ——— AUDIO REACTOR ——— Every knob can be wired to the live audio signal. A»iD listens constantly and extracts amplitude, bass, mid and treble bands, beat phase, BPM, onset triggers, and spectral centroid. Seven LFOs run at BPM subdivisions. Open the Patch Bay to wire any source to any parameter in any module. Stack multiple sources on one knob. Set amount and polarity per patch. ——— RANDOMIZE ——— Shake the device (or hit the die) to randomize the whole chain. Palette Lock freezes hue and saturation through dice rolls. Sleeper Mode locks each module's bypass state — sleeping modules stay asleep, active modules stay awake. Everything re-rolls around your intention. ——— SYNC & CONTROL ——— ABLETON LINK — Lock BPM and beat phase with Ableton Live, AUM, Loopy, and any Link-compatible app on your network. MIDI — Auto-learns CC from any wired or Bluetooth MIDI controller. Long-press any knob to assign. OSC — Receive /aid/ messages from TouchOSC or Max/MSP over Wi-Fi.

Your photos, run through a monitoring terminal. DotMatrix Studio turns anything you shoot or import into a 1-bit artifact — the dot-matrix look of VFD displays, old newsprint and station monitors. There is no preset carousel to scroll past: you dial the look in yourself and watch it render live. SHOOT IN 1-BIT A live dithered viewfinder shows you the look before the shutter, not after. Toggle between DOTMATRIX and NORMAL if you would rather frame with the plain camera first, adjust pixel size and palette on the rail, and flip between front and back cameras. THREE FILM STOCKS NEWSPRINT — Floyd–Steinberg error diffusion, the fine scattered grain of a printed photograph. MATRIX — Bayer 8x8 ordered dithering, the regular weave of a hardware display. HALFTONE — real circular dots on a grid, with an adjustable cell size. All three are written by hand for this app and tuned by eye, not borrowed from a library. FOUR PALETTES OXBLOOD, PAPER, PHOSPHOR and AMBER. Each is a two-colour stock with its own accent, from warm terminal red to green phosphor glow. THE DIALS Virtual resolution, 80 to 480 pixels wide, is the chunkiness itself: drop it and the image breaks into big honest dots, raise it and the detail creeps back. Contrast runs -50 to +50. Halftone cell size is adjustable. Scanlines darken every third row. Press and hold the preview to peek at the original underneath. TELEMETRY FRAMES Five frames — ACQUIRED, STATION, SPECIMEN, REC, or none — stamp your artifact with instrument chrome: dates, dither codes, resolution readouts, and a caption of your own. Frame text is drawn at full export resolution, so it is never a pixel-doubled smear. WALLPAPERS Render your artifact at your device's exact pixel size as a lock and home pair, then set it from the Photos app. A LIBRARY THAT STAYS EDITABLE Saved artifacts are parametric: the source photo and every setting are stored together, so reopening one restores the whole editing session. Change your mind about a palette a month later and nothing is lost. EXPORT PNG at 2048px on the long edge. Save to Photos, share anywhere, save as a wallpaper, or keep it in the library. Saving and sharing record the artifact automatically, so an exported image is never a dead end. COMPLETELY OFFLINE There is no network permission in this app at all. No account, no sign-in, no analytics, no ads, no location. Your photos never leave your device, because there is nowhere for them to go.