Traverse Lo vs FALSE MEMORY

Traverse is a lo-fi tape effect and delay plugin from Audio Damage, makers of premium audio software since 2002. Runs as an AUv3 plugin inside AUM, Cubasis, Drambo, GarageBand, or any AUv3 host on iPhone and iPad. Make a beat sound like an old mixtape. Wash a vocal in tape echo. Push a clean synth into a slow, self-saturating wobble. Or just add a little warmth to anything. One plugin, one signal flow, no chaining, infinite possibilities. WHAT IT DOES - Cassette tape character — Drive, Wow, Flutter, and a tilt-EQ Tone knob that goes from clean and warm to wobbly and worn - Stereo tape delay, 20ms to 10 seconds, free or host-tempo synced - POST DELAY routing button reorders the chain: tape emulator with a delay, or tape delay with a clean input - Procedural splice-point emulator with four controls for tape dropouts and chirps - Curated noise generator with hiss, crackle, dust, fan rumble, 60Hz and 50Hz hum, white, pink, and the Califone Card Reader - Gated noise that drops the floor when input is silent — room tone speaks only when the track does - Ping-pong width control, click-free bypass, fully-wet mix by default WHY IT SOUNDS DIFFERENT Most tape delay plugins keep saturation and delay as separate stages: input gets saturated, then echoed cleanly. Traverse re-processes every feedback repeat through the full cassette chain, so echoes degrade and bloom with each pass instead of just decaying in volume. PART OF THE MOTION EFFECTS FAMILY Traverse joins Ascent (shimmer reverb) and Descent (granular effect processor) in Audio Damage's Motion Effects family — three plugins for ambient explorations and sound design sonic science. ALSO AVAILABLE FOR DESKTOP The full version of Traverse runs on macOS, Windows, and Linux as VST3, AU, AAX, and CLAP. Same DSP, same sound. Visit audiodamage.com for the desktop builds and 20-year catalog of plugins. ABOUT AUDIO DAMAGE Founded in 2002 by Chris Randall and Adam Schabtach, Audio Damage builds plugins for people who care more about character than convention. No copy protection, no subscriptions, no DRM. Just plugins that sound like nothing else. NO TRACKING. NO IN-APP PURCHASES. NO SUBSCRIPTIONS. NO ADS.

FALSE MEMORY is a real-time audio disintegration effect. Feed it any sound and watch it decay. A tape left in the sun. A corrupted file half-recovered from a dead drive. A memory dissolving as you try to hold onto it. Turn up MEMORY and the destruction begins. Everything else shapes how the sound falls apart. DESTRUCTION ENGINE The Analog / Digital slider is the soul of the effect. Slide left for warm, organic decay: Cassette wobble, Reel-to-reel saturation, VHS tracking errors. Slide right for cold, precise corruption: Lo-fi aliasing, Circuit-bent glitches, Data-mosh block artifacts. Drift destabilizes pitch and timing. At low settings it breathes. Cranked up, the signal loses its grip on reality. Damage controls how aggressively the signal gets torn apart. ATMOSPHERE Fog smears the frequency spectrum into clouds. Three modes: Tonal keeps harmonic structure intact, Inharmonic scatters it, Evolving slowly morphs between the two. Ghosts lets past audio bleed through the current signal. Echoes repeat rhythmically. Imprints leave residual traces. Granular scatters fragments across time. TEXTURE Hiss adds tape noise, from subtle warmth to a roaring floor. Crackle introduces vinyl pops and surface damage. SET IT AND FORGET IT Evolve lets the destruction deepen automatically over time. Pick a duration from 1 to 64 minutes. Walk away. Come back to something completely different. The Randomize button rerolls all destruction parameters instantly. Hit it until something clicks. AUv3 plugin for iOS. Runs in AUM, GarageBand, Logic, and any AUv3 host. Standalone app for iPhone and iPad. From All The Machines.