RSF2 vs EverSpace

Is your SoundFont library out of control? You've got dozens — maybe hundreds — of .sf2 files scattered across iCloud, old folders and forgotten thumb drives. Every time you need a decent acoustic piano, you waste 15 minutes opening file after file in your sampler. Each bank has 20 presets but you only use 2. Rsf2 fixes that — once. HOW IT WORKS • BUILD THEMED BANKS IN ONE TAP Pull presets from 5 different SoundFonts and generate ONE .sf2 file containing only the ones you love. "My 10 Favorite Acoustic Pianos" with Steinway, Yamaha, Bösendorfer and Fazioli — all in one file, ready to load in your sampler. • REORDER PRESETS BY DRAG Visual edit mode: drag presets to dictate the exact MIDI order (bank:program) in the final file. Want Steinway D at program 0:0? Bösendorfer 290 at 0:1? You pick the sequence. • SPLIT GIANT SF2 INTO PARTS Bought a SoundFont with 30 instruments but only use 5? Split it in a tap into individual files — exactly the ones you want. WHY Rsf2 IS DIFFERENT • 100% ON YOUR DEVICE No cloud upload. No account. No cookies. No trackers. Your SoundFonts (many of which you PAID for) never leave your iPhone, iPad or Mac. • UNIVERSAL A single app for iPhone, iPad AND Mac. Buy on any device, install on the others for free. • WORKS WITH YOUR SAMPLER Cubasis, AUM, GarageBand, Logic Pro, Audiobus, FluidSynth, ROMpler, MIDI hardware — anything that speaks SoundFont 2. WHO IT'S FOR • Live keyboard players using an iPad on stage • Producers wanting clean libraries in their DAW • Sound designers recombining banks • Church studios, music schools • Composers and arrangers • Beatmakers sampling from SF2 ABOUT THE FORMAT SoundFont 2 (.sf2) is an open standard created by E-mu/Creative in 1995, still very much alive in hardware ROMplers, free plugins and mobile samplers. Rsf2 respects 100% of the spec. GET STARTED Tap "Add .sf2 files", point at a file in your iCloud Drive, mark the presets you love, name it, generate. That's it. Make your library a place where you can actually FIND things.

EverSpace is an algorithmic reverb designed for creating enormous spaces, evolving ambience and richly modulated echoes. Built upon the CloudSeed engine by Ghost Note Audio, its architecture draws inspiration from the algorithmic studio reverbs of the 1980s, where networks of delays and diffusion were used to create spaces that extended far beyond the limits of the physical world. Rather than attempting to recreate a particular room, hall or vintage hardware unit, EverSpace embraces the more creative possibilities of algorithmic reverb. Dense diffusion, multiple delay stages and extensive modulation allow sounds to bloom into vast, constantly moving environments — from spacious reflections and drifting echoes to seemingly endless atmospheric tails. At more extreme settings, EverSpace becomes much more than a conventional reverb. Simple sounds can be transformed into thick evolving pads, shimmering textures and expansive ambient soundscapes, with subtle variations within the reverb network ensuring that the resulting space remains alive and in motion. EverSpace can be used as a traditional send or insert effect, but it is at its best when treated as a creative sound-design tool where the reverb itself becomes part of the sound. Features ○ CloudSeed algorithmic reverb engine — a sophisticated multi-stage architecture inspired by classic algorithmic studio reverbs. ○ Early reflection and diffusion network — control density, delay, modulation and feedback to shape the initial character of the space. ○ Extensive late-reverb section — create everything from diffuse ambience to enormous, slowly evolving reverb tails. ○ Deep modulation — independently shape the movement of diffusion and delay stages for lush, animated spaces. ○ Multi-tap delay stage — adds rhythmic reflections, echoes and additional complexity before the main reverb network. ○ Integrated equalisation — low and high frequency shaping plus filtering to sculpt the colour and decay of the reverb. ○ Seed controls — regenerate the internal delay and diffusion structures to produce different variations from the same settings. ○ Interpolation modes — alter the behaviour and character of the internal delay network. ○ Real-time visualisation — waveform and frequency displays provide visual feedback as sounds enter and evolve through EverSpace.