TwinPath vs Ring Modulator

TwinPath enables parallel effects processing using your existing Audio Units, without configuring busses or complex routings. It hides the details of managing multiple signal paths, and offers a compact, quickly accessible control interface. The result is a consistent setup you can easily recreate in any DAW, regardless of how each host handles audio routing. Among its possible applications, TwinPath pairs especially well with delay effects for dynamic performances. Shifting focus from deep editing to switching between (or blending) entire modules opens up a new perspective and new features – especially when feedback delays are involved. And of course, both approaches can be applied at the same time. Once inserted into a track’s effects chain, TwinPath handles splitting and merging audio streams and provides several convenience features. It offers two main classes of operation: CROSS-FADE • Blend between two effects chains using a single control • Switchable pre/post operation: pre mode preserves effect tails and lets feedback effects "breathe", while post mode offers instant, direct control DUAL MONO • Run different effects chains for Left/Right, Mid/Side, or a continuous blend between them • Channel mapping and FX bias are smooth, performance-friendly controls • Quick and efficient workflow replacement that overcomes functional limits of stock dual mono modes, such as restrictions on independent preset loading PLEASE NOTE: • An AUv3-compatible host is required to use this app

Ring modulation multiplies two signals together sample by sample. The result contains the sum and difference of their frequencies, the sidebands, while the original carrier and modulator tones are suppressed. This produces the metallic, bell-like, and clangorous inharmonic timbres associated with classic ring modulators, from robot voices to detuned percussion. Signal path: the carrier is multiplied by the modulator to form the wet signal, Mix blends that against the dry carrier, and Output applies a final makeup gain. Ring Modulator is usable in three modes and can take either mono or stereo inputs. The host app must support mixing to bus inputs or sidechaining in order to use Ring Modulator with dual input. Outputs mono signal. OSC + OSC Both carrier and modulator are internal sine oscillators, set by Car Freq and Mod Freq. Produces classic two-tone ring modulation with no input required, good for bell tones and metallic drones. INPUT + OSC The carrier is your track's audio and the modulator is the internal sine at Mod Freq. This is the standard ring-mod effect: it turns voices and instruments metallic or robotic and adds inharmonic sidebands. This is the default mode. INPUT + SIDECHAIN The carrier is the main input and the modulator is a second, independent input routed into the plugin's sidechain bus. Use it to ring-modulate one track by another, for example a vocal shaped by a drum loop or synth pad. This requires a host that supports sidechain routing; if nothing is routed to the sidechain, the input passes through dry. Car Freq and Mod Freq do not apply in this mode.