AutoMaster vs FinalFX

AutoMaster is the simple way to make your music sound professional — without complex plugins or hours of learning. Load an MP3 or WAV file and AutoMaster handles the mastering automatically: it balances the frequency spectrum, adds cohesion, raises loudness to streaming-ready levels and protects peaks with a limiter. KEY FEATURES - One-tap automatic mastering - EQ, compression and limiting in a single chain - Loudness normalization to your chosen LUFS target (streaming, louder, club) - Genre presets: Deep House, Melodic Techno, Vocal Trance, Electro House, EDM, Drum & Bass, Pop, Rock, Hip-Hop and more - Before / after preview — compare the result instantly - Export a finished WAV file - Save your own custom presets WHO IT'S FOR For music creators, producers and hobbyists who want to give their tracks a professional, release-ready sound quickly. All processing happens locally on your device — your files never leave your phone. SUBSCRIPTION AutoMaster Pro unlocks WAV export and all genre presets. The subscription renews automatically every month until cancelled.

FinalFX (“final effects”) is an AUv3 effects plugin that can run standalone, or in any AUv3 compatible host such as Logic Pro, GarageBand or AUM. FinalFX currently runs on iOS (iPad & iPhone) and macOS (Intel & Silicon) and is available as a Universal Purchase from the Apple App Store. If you’re planning on using FinalFX on Mac / desktop, please ensure that your favourite DAW / host supports AUv3 (not just AU). Overview FinalFX is a collection of audio processors useful for mixing and mastering, often referred to as a “channel strip”. Typically you’d add FinalFX literally as your final effects on a stereo master or mix bus channel. FinalFX has been specifically designed to introduce no additional latency in the audio processing chain, and as the CPU load has also been minimised, it can be used in live sound applications. FinalFX comprises three main modules: EQ is a general purpose six band equaliser that can also process in mid / side mode. The frequencies and resonances for each band are fixed, so this EQ is more about subtle, overall tone-shaping, than surgical precision. For example, reducing bass or adding presence. The EQ’d signal can also be mixed with the original dry signal. MID / SIDE focusses on the stereo image with individual gain controls for the middle and sides content of stereo audio, as well as an overall width control which can reduce a stereo signal down to mono. COMPRESSOR / LIMITER adjusts final dynamics and loudness and comprises two compressors in series with variable threshold and ratios. The first compressor stage also has a mix control. This section also includes a variable soft / hard clipper stage and overall output volume control.