Ring Modulator vs Latch Tuner

Ring modulation multiplies two signals together sample by sample. The result contains the sum and difference of their frequencies, the sidebands, while the original carrier and modulator tones are suppressed. This produces the metallic, bell-like, and clangorous inharmonic timbres associated with classic ring modulators, from robot voices to detuned percussion. Signal path: the carrier is multiplied by the modulator to form the wet signal, Mix blends that against the dry carrier, and Output applies a final makeup gain. Ring Modulator is usable in three modes and can take either mono or stereo inputs. The host app must support mixing to bus inputs or sidechaining in order to use Ring Modulator with dual input. Outputs mono signal. OSC + OSC Both carrier and modulator are internal sine oscillators, set by Car Freq and Mod Freq. Produces classic two-tone ring modulation with no input required, good for bell tones and metallic drones. INPUT + OSC The carrier is your track's audio and the modulator is the internal sine at Mod Freq. This is the standard ring-mod effect: it turns voices and instruments metallic or robotic and adds inharmonic sidebands. This is the default mode. INPUT + SIDECHAIN The carrier is the main input and the modulator is a second, independent input routed into the plugin's sidechain bus. Use it to ring-modulate one track by another, for example a vocal shaped by a drum loop or synth pad. This requires a host that supports sidechain routing; if nothing is routed to the sidechain, the input passes through dry. Car Freq and Mod Freq do not apply in this mode.

Know the note. Get the numbers. Back to the beat. Ordinary tuners are built for long, sustained notes. Play a one-shot through one and the needle jumps around during the attack, then goes blank before you can read it. Latch Tuner is built for how producers actually work: it skips the attack, measures the body of the sound, and holds the answer on screen after the sample has ended. How it works. You chopped a bass note from an old record and it's fighting your track. Insert Latch Tuner on the channel, trigger the pad once, and it reads: E3 −26.5 ¢ · 324.6 Hz · MIDI 64 Set TARGET to the note you actually want — say C3 — and it does the conversion for you: SEMI −4 · FINE +27 Those are the two numbers your sampler's pitch controls take. Type them in, retrigger, done. No looping the sample into a phone tuner, no guessing against a piano. Two modes. • LATCH — for one-shots, chops, plucks, vocal stabs and 808s. Transient-aware capture holds the reading until you clear it. Capture history keeps your last few results on screen, so you can work through a whole kit without writing anything down. • LIVE — stop switching apps to tune. A straightforward in-line tuner for guitar, synth and voice, docked in a corner of your session. It tells you when it isn't sure. A gliding 808 or a reading that wobbles between octaves is flagged instead of shown as a plain answer. Built for single notes: a chord reads as one of its notes, usually the root. Noise and washed-out chops report no clear pitch, because there isn't one. Tap PLAY to hear a reference tone against the sample and decide with your ears — below ~80 Hz the tone adds an octave-up partial so you can hear it on a device speaker. Speaks sampler. Note name, cents, frequency and MIDI note number, plus the SEMI/FINE correction to your chosen target. Samplers disagree about octave numbers, so the readout shows its convention next to every answer — and a C3/C4 toggle matches it to yours. It can't silently put you an octave off. Adjustable reference pitch (440, 432, 442…). Runs where you work. An AUv3 audio effect — use it in AUM, Koala, GarageBand, or any other AUv3 host. Plus a standalone app that listens through the mic. Audio passes through untouched. One-time purchase. No subscription, no ads, no account. Everything is analyzed on-device; nothing is recorded or uploaded.