MIDIRack vs Sightlines

MIDIRack is a MIDI toolkit for iPad. Build a custom touch surface from the KB-1 keyboard suite, an all-new sequencer suite, knobs, faders, buttons and more — then unlock a visual MIDI processing graph (one time in-app purchase) and wire it into anything, from a simple custom controller to a full-on groovebox or a self-playing generative composer. Play it on its own and send MIDI anywhere, as an AUv3 plugin in your favourite host or a standalone instrument. THE BASE APP — PERFORMANCE SURFACE Design a custom control surface on a snapping grid: • The KB-1 keyboard suite — piano, diatonic chord pads, scale-locked keyboard, MPE Seaboard ribbon, MPE Strings grid (4ths), and a 4×4 GM drum-pad grid. Each is its own routable node with latch and octave shift. Successor to the KB-1 Expressive Keyboard Suite. • A suite of sequencers — drum, melody, chord, analog and CC step grids and a Matrix note grid, with a moving playhead, swing and microtiming. Per-step velocity, probability, tie and trigger conditions; pattern chaining and 4-pad scene switching for full arrangements; a knob-per-step analog machine that re-roots live as you play. • Knobs, faders, XY pads, buttons and live visualizers — bind to raw MIDI CC or graph parameters. On its own: a rich custom control surface builder — send MIDI and CC to any synth, app or hardware, no graph required. WITH YOUR DESKTOP DAW Expressive MPE hardware costs hundreds. MIDIRack turns the iPad you already own into a controller for Logic, Live, Bitwig, Cubase or any desktop DAW: • Two MPE surfaces — the Seaboard ribbon and the Strings grid send per-note pitch bend, slide and pressure to any MPE-capable instrument on your desk. • A controller that changes per track — MPE ribbon for the lead, drum pads for the beat, chord pads for the progression, faders mapped to CC for a mix move. Rearrange in seconds; save a surface per project. • Sequence it too — clock the step lanes to your DAW and drive its tracks. • Easy to connect — one USB cable to a Mac via IDAM (Inter-Device Audio and MIDI), or wirelessly over Bluetooth MIDI. No driver, no helper app. UNLOCK — MIDI GRAPH (in-app purchase) Wire MIDI In → processors → MIDI Out on a visual canvas: • 60+ node kinds — arpeggiators, scale/key quantizers, transposers, chords, echoes, swing, humanize, euclidean rhythms, random/generative melodies, LFOs, CC tools, an analog knob-per-step sequencer, a Matrix sequencer and a Counter. • Built-in instruments — Synth, Drums, a Sampler and a loop Slicer make sound right in the graph; no external synth required. • Emergence generators — Conway's Game of Life, Turing machine, Wolfram rules, Markov, bouncing balls, Lorenz attractor — for evolving, living patterns. • Presets — factory patches grouped by category (control surfaces, generators, keyboards, utilities): Amen Engine, Starfield, Conway Choir, Turing Bass, Cellular Drums… Save your own. ROUTING & MPE • MIDI Out exposes all 16 channels plus an MPE connector — multitimbral, multi-instrument setups. The built-in synth responds to MPE. • Every keyboard is its own node — process and route each one independently. PLAYS OUT OF THE BOX • Built-in polyphonic synth, drum kit, sampler & slicer or send MIDI to your gear via CoreMIDI and an always-on virtual port.

Make noise, texture, and percussion sing. Add motion and stereo spread to basic sounds. Load samples and sculpt them endlessly. Leave your mark on any sound with harmonic filtering. Sightlines is a playable harmonic filter. Built from a collection of resonant bandpass filters tuned to the harmonic series, designed to bring out a customizable set of musical frequencies in any sound. Tune it to a fixed frequency like a resonator, or send it MIDI to make it come alive as an instrument. Sightlines can be loaded as an instrument or an audio effect. As an instrument, use it with samples, noise, or oscillators to construct sounds never heard before. As an effect, add movement and interest to any sound, and even impart tonality onto unpitched input. SOUND SOURCES • Noise – filter variable color noise and random noise bursts for Sightlines’ simplest and quickest output. • Samples – send samples through resonant filters as one-shots or infinite looping versions of themselves, great for found sound and tonal samples alike. • Synth – skip the filters entirely and use Sightlines as a harmonic synth, where you can customize and modulate the proportion of each harmonic in the signal. • Audio effect – use Sightlines as an audio effect on any track. MOVEMENT AND EFFECTS • Manipulate overtones – stretch, bend, and reimagine the harmonic series to retune Sightlines’ output into realistic or indescribable sonic spaces. • Quantize frequencies – snap all of Sightlines’ filters to a scale, to impart that key quality onto any sound. • Balance bands – maneuver through the harmonic space by scanning, tilting, or spreading Sightlines’ bands. • End of chain – make your output shine with a built-in chorus, BBD-style delay, and reverb. FEATURES • Modulation – modify any control in Sightlines with multiple LFOs, sequencers, smooth random sources, and performance effects. • Presets – full preset control over every parameter in Sightlines. Cross-platform preset format for sharing with friends. • Waymaker – connect to Sightlines’ sibling application, Waymaker, for direct sequencing of Sightlines’ without MIDI routing. Also available for macOS and Windows in VST3 / AU / AAX formats from Aqeel Aadam Sound.