MIDIRack vs 2099 Techno

MIDIRack is a MIDI toolkit for iPad. Build a custom touch surface from the KB-1 keyboard suite, an all-new sequencer suite, knobs, faders, buttons and more — then unlock a visual MIDI processing graph (one time in-app purchase) and wire it into anything, from a simple custom controller to a full-on groovebox or a self-playing generative composer. Play it on its own and send MIDI anywhere, as an AUv3 plugin in your favourite host or a standalone instrument. THE BASE APP — PERFORMANCE SURFACE Design a custom control surface on a snapping grid: • The KB-1 keyboard suite — piano, diatonic chord pads, scale-locked keyboard, MPE Seaboard ribbon, MPE Strings grid (4ths), and a 4×4 GM drum-pad grid. Each is its own routable node with latch and octave shift. Successor to the KB-1 Expressive Keyboard Suite. • A suite of sequencers — drum, melody, chord, analog and CC step grids and a Matrix note grid, with a moving playhead, swing and microtiming. Per-step velocity, probability, tie and trigger conditions; pattern chaining and 4-pad scene switching for full arrangements; a knob-per-step analog machine that re-roots live as you play. • Knobs, faders, XY pads, buttons and live visualizers — bind to raw MIDI CC or graph parameters. On its own: a rich custom control surface builder — send MIDI and CC to any synth, app or hardware, no graph required. WITH YOUR DESKTOP DAW Expressive MPE hardware costs hundreds. MIDIRack turns the iPad you already own into a controller for Logic, Live, Bitwig, Cubase or any desktop DAW: • Two MPE surfaces — the Seaboard ribbon and the Strings grid send per-note pitch bend, slide and pressure to any MPE-capable instrument on your desk. • A controller that changes per track — MPE ribbon for the lead, drum pads for the beat, chord pads for the progression, faders mapped to CC for a mix move. Rearrange in seconds; save a surface per project. • Sequence it too — clock the step lanes to your DAW and drive its tracks. • Easy to connect — one USB cable to a Mac via IDAM (Inter-Device Audio and MIDI), or wirelessly over Bluetooth MIDI. No driver, no helper app. UNLOCK — MIDI GRAPH (in-app purchase) Wire MIDI In → processors → MIDI Out on a visual canvas: • 60+ node kinds — arpeggiators, scale/key quantizers, transposers, chords, echoes, swing, humanize, euclidean rhythms, random/generative melodies, LFOs, CC tools, an analog knob-per-step sequencer, a Matrix sequencer and a Counter. • Built-in instruments — Synth, Drums, a Sampler and a loop Slicer make sound right in the graph; no external synth required. • Emergence generators — Conway's Game of Life, Turing machine, Wolfram rules, Markov, bouncing balls, Lorenz attractor — for evolving, living patterns. • Presets — factory patches grouped by category (control surfaces, generators, keyboards, utilities): Amen Engine, Starfield, Conway Choir, Turing Bass, Cellular Drums… Save your own. ROUTING & MPE • MIDI Out exposes all 16 channels plus an MPE connector — multitimbral, multi-instrument setups. The built-in synth responds to MPE. • Every keyboard is its own node — process and route each one independently. PLAYS OUT OF THE BOX • Built-in polyphonic synth, drum kit, sampler & slicer or send MIDI to your gear via CoreMIDI and an always-on virtual port.

2099 Techno writes complete tracks. Press generate and you get 76 bars with an intro, builds, two main sections, a breakdown and an outro, played by a virtual-analog engine and a 909-style drum machine. Bass, acid, stabs, pad, a lead line and the kit, through a dub delay, chorus and reverb. Nothing is sampled. Every note is made on the fly and no two tracks come out the same. The music comes from chaos maths. Three Lorenz attractors shape the melody, the rhythm and the mood. Three separate logistic maps run underneath the drums, the bass and the acid line, so they wander independently: turn the logistic control down and the hats and perc repeat every bar, turn it up and they never do. Chaos on its own is noise, so a small model filters it. It gets rewarded for consonant intervals and rehearses two hundred notes over the changes before it writes anything. The CHAOS / TASTE slider decides how much say each one gets. Eight styles, and they are properly different. Detroit rolls an off-beat bass under syncopated stabs. Dub Techno holds one chord for four bars and lets the delay do the work. Acid runs a 303 line with slides and accents. Hard pushes past 140 with a Reese bass and the drive up. Minimal takes most of it away. Every track is built from its seed. Write the seed down and you can have that exact track again, note for note, whenever you want it. You can play over it, too. The pads are the notes of the track's key rather than a piano keyboard, so nothing you touch is wrong, and the sixteen-step lane runs in time with the track and follows your host. Both play any part you like: bass, acid, stabs, pad or lead, through that part's sound and out on its MIDI channel. Choose which sections the lane plays in - just the breakdown, say - and preview it on its own without starting the track. Turn on RADIO and it keeps playing, picking a new key, mode, style, sound kit and tempo for each track. You also get: • 8 styles, 6 dark modes, 12 keys, tempo and density • Two-oscillator analog voice with sub, noise, resonant filter and glide • 22 presets and 9 sound kits, from Warehouse to Game Boy, plus random patch • Six-part mixer, dub delay, chorus, plate reverb and a global sweep filter • A PLAY panel: pads in the track's own key, and a 16-step lane with accent and slide, running in time with the track and only in the sections you pick • MIDI in, so your keyboard plays whichever part you have selected • MIDI export: six tracks, one per part • Live spectrum, waveform and a view of the chaos engine at work Two Audio Units, an instrument and a MIDI processor. Each part sends on its own MIDI channel, drums on 10, so one instance can drive six instruments. The MIDI version passes your keyboard through instead of swallowing it. Both follow your host's tempo and transport. One install registers both. The app is free and nothing in it is held back. Using the Audio Units inside other apps is a one-time purchase, and each AUv3 session plays for two minutes first so you can try them properly.