Biyoree vs ARK Infrared

Biyoree is a camera and photo editor for enjoying carefully crafted film color and texture. Preview your final look in real time before you shoot, then capture photos and videos with the atmosphere of the moment intact. You can also import photos from your library and edit them afterward. ■ Dozens of Original Film Looks Choose from dozens of color and black-and-white film looks. Find a tone that fits the light, skin, scenery, shadows, and feeling of each photo. ■ Films Crafted One by One Each film is designed beyond color alone, with its own contrast, grain, texture, highlights, and shadows. Instead of getting lost in small adjustments, choose the film that fits the moment and let the look come together. ■ Real-Time Film Camera Shoot photos and videos while previewing the selected film look. Register up to five favorite looks and switch between them quickly. ■ Expressive Blur Adjust blur strength and create a more dimensional finish while keeping people clear. ■ Frames That Complete the Photo Choose from slim, classic, Polaroid-style, gallery, and other layouts. Customize margins, color, aspect ratio, and photo placement. ■ Titles and EXIF Layouts Beautifully place titles, subtitles, film names, dates, camera, lens, and shooting settings on your photos. ■ Flexible Ratios and Cropping Supports 1:1, 4:5, 16:9, 9:16, and more. Drag, pinch, and rotate to adjust photo placement intuitively. ■ Before / After Comparison Compare the original and edited photo with a slider while choosing the film color and texture that fit best. Everyday moments, travel memories, and time with people you care about. Turn them into photos worth remembering with Biyoree.

ARK Infrared turns ordinary photos into infrared photographs — the way they would look shot on IR film through a real filter. It is not a color preset. The engine reads every pixel for the physical evidence infrared responds to — chlorophyll, sky light, tungsten heat — and rebuilds the image the way film would record it. Foliage glows. Skies go black. Nothing is painted on. FOUR FILMS BW — black & white infrared, 590–850 nm. The look of Kodak HIE: glowing foliage, dark skies, halation bleeding around highlights. The dial sets the filter wavelength. AERO — Kodak Aerochrome false color. Vegetation turns red, everything else keeps its neutral tone. The dial moves through the Wratten filter series (#12 to #25), exactly the axis practitioners used on the real film. NIGHT — infrared at night. Tungsten lights blaze, foliage burns red against a black sky. The dial sets how deep into red the film goes. The engine adapts to each photo's white balance automatically. MOON — day for night. Shoot in daylight, get a moonlit night — the way the eye actually sees in the dark: reds sink first, color drains, the day sky goes deep. Not a blue wash. The dial sets how far into the night you go. FILM BACK FOR VIDEO Load a clip. The deck tunes on a poster frame, live; one key renders the whole clip in the same film — every frame through the full engine. INSTRUMENT, NOT APP One aluminum deck. A tuning ruler, an exposure dial, one red key. Live rendering while you drag. Tap the nameplate to read what infrared light actually is — with Herschel's 1800 experiment you can run with your finger. Exports in 10-bit HEIF at full resolution. No account. No network. Your photos never leave the device.