Audio Object vs Wave Slicer

Audio Object is a pocket-sized music instrument for iPhone. It looks and works like a small piece of hardware — a wooden body with an instrument panel on each face. Pull the wood edge and the body rotates to the next face. WHAT IT DOES - Four-track looper with bar-quantized recording and per-loop trim - Three-voice drum machine as the click track — kick, snare, hi-hat with a per-step accent grid - Eight-pad sampler with grid, auto, and tap chopping, two switchable banks, three-band EQ, varispeed tuning - Project save, load, and WAV stem export with tempo map - Streams audio to any Mac DAW over USB (Inter-Device Audio & MIDI) - Sends MIDI clock over USB — Ableton, Logic, and Bitwig lock transport to the phone - Records stereo from any Core Audio interface (iRig, Focusrite, MOTU, and others) HOW IT WORKS Six faces. Perform pads on one, sampler on another, click and time signature on a third, projects on the back, I/O on top, master on the bottom. No menus, no tabs. Every control lives on the body. The click track is not a metronome. It is a three-voice drum machine with per-step accents, subdivisions from quarter notes to swing, and time signatures from 3/4 to 12/8. Set up a kick-snare-hat pattern, press record, loop on the beat. The sampler holds eight pads across two banks. Record from the mic or load from Files. Chop by grid, by transient, or by tapping markers. Each pad carries a three-band EQ, varispeed pitch, and an amplitude envelope. All eight play polyphonically. Recording quantizes to the bar, the beat, or runs free. A dedicated loop-adjust face trims each loop to the sample — drag the region brackets, snap to the grid, hear the result while the brackets move. Plug the phone into a Mac over USB. Audio Object appears as an audio input and MIDI clock source. The DAW locks transport to the phone's tempo. No drivers, no setup. Plug a USB audio interface into the phone. Audio Object names the device on screen and records through its preamps at up to 48 kHz stereo. WHAT IS NEXT A synthesizer — bass, chord, and lead modes — is in development for the next major release.

Wave Slicer cuts a sound down to the piece you actually want. Load a track, record something, or send a file to it from anywhere on your phone — then zoom in until you can see the individual samples and cut exactly there. WHAT IT DOES A waveform that stays smooth on a ten-minute file and keeps going down to sample level. Drag the edges of a selection, slide the whole selection along, or draw a new one. Every edge snaps to a zero crossing, so a cut never clicks. A full effect chain that you hear while you turn it. Transpose by semitones, high-pass and low-pass with resonance, tanh saturation, bitcrush and sample rate reduction, echo with feedback, and a reverb that can ring out for eight seconds past the end of the slice. An amplitude envelope you draw by hand. Tap to add a point, drag to move it, bend the curve between two points. The same envelope drawing as the pitch curve in Drum Rack. Fades on both ends, and a loop crossfade that folds the tail over the head so a loop comes round without a seam. Export as a 16 or 24-bit WAV, with TPDF dither on 16-bit. The file lands where you choose to save it, named so you can find it again in a DAW browser. Record straight from the microphone when you want to sample something in the room. Echo cancellation and noise suppression stay off, because those are built for speech and ruin anything worth sampling. Twelve sounds are built in to start with, including two drum loops on the grid, so there is something to cut the moment you open it. WHAT IT DOES NOT DO No account. No sign-in. No advertising. No analytics. No tracking. Audio you load, record or export never leaves your device. The app asks the internet for exactly one thing: a small text file holding the current links shown on the last screen. FROM THE LAB Wave Slicer is part of Lumlux Art Lab, a set of free browser tools for people who make music. The same slicer runs on the website, so you can try it before installing anything. Made in Antwerp by FDR-Sound.