BitDecay vs Coil

Some digital processors sound broken. Bit Decay sounds like they're breaking. Bit Decay is a creative degradation effect that recreates the character of aging hardware, unstable clocks, failing digital systems, worn media, and collapsing fidelity. Instead of simply reducing bit depth and sample rate, Bit Decay introduces movement, instability, and evolving imperfections that bring static digital destruction to life. Shape classic lo-fi textures, degraded samplers, damaged tape transfers, corrupted audio artifacts, and entirely new sound design landscapes. From subtle vintage coloration to complete digital collapse, Bit Decay gives you precise control over how pristine audio slowly falls apart. Whether you're producing electronic music, processing drums, designing cinematic textures, mangling synths, or adding character to vocals, Bit Decay delivers degradation with personality. Features • Creative digital degradation processor • Bit crushing and sample rate reduction • Dynamic instability and clock-style imperfections • Musical tone shaping • Progressive signal erosion controls • AUv3 support for iPad and Mac hosts • Fast workflow with a simple single-page interface

Coil is a spring reverb built from the ground up around the thing that makes real spring tanks so good: they're physical. The springs stretch, resonate, build up energy, and get hit, and when you kick the tank, you hear it. There are no impulse responses inside Coil. The springs themselves are simulated while you play. Change the physics and you change the sound. TWO TANKS, TWO PERSONALITIES • LONG — big, slow, heavy springs. More depth, more wobble, more of that surf-era drip. • SHORT — tighter springs with a brighter, immediate response. Less wash, more snap. KRAANG! Hit the pedal and the springs respond with a burst of metallic chaos. Because they're physically simulated, what comes back depends on where the springs are in their motion when you land. Try it while the reverb is already ringing. It's ridiculous. It's also extremely useful. THREE KNOBS, NO MYSTERY • MIX — how much spring you want. • TONE — how fast the top end dies in the steel. Not an EQ: you're changing the behaviour of the spring itself. • DWELL — how long the springs keep moving. AND THE JEWEL Tap it and the whole thing goes through a measured amp stage — presence, grit and all. Nobody will tell you this is there. WORKS EVERYWHERE • AUv3 for GarageBand, Logic Pro, AUM and any Audio Unit host • Standalone app — plug in and play, no DAW needed • MIDI learn on every control • One purchase: Mac, iPad and iPhone No giant metal tank. No springs to break. No road case. A spring you don't have to haul around.