Bit Splitter vs MNTRP

BIT SPLITTER A bit-plane manipulator. The input is scaled and quantized to an 8-bit value, then a single bit-plane of that value is used to reshape the signal. Where a bit crusher reduces resolution and hands back a degraded copy of the sound, the bit splitter operates on one specific bit and can either output that bit on its own, use it to gate the input, or mask the signal down to a chosen number of bits. MODES ISOLATE Outputs the chosen bit-plane on its own as a bipolar square wave. The most-significant bit behaves like a sign comparator, producing a hard square that tracks the waveform; lower bits flip more often as the amplitude moves, giving increasingly noisy, aliased fuzz. This is the most literal reading of splitting a bit out. GATE Passes the dry input only while the chosen bit is high, and mutes it otherwise. The signal is chopped by its own bit-plane, producing glitchy, rhythmic gating that still carries the source material underneath. MASK Zeros every bit below the chosen one and reconstructs the result to audio. This is a bit-depth reduction in which BIT sets how many low bits are discarded: at 0 the signal is untouched, at 7 only the most-significant bit survives (1-bit). Closest of the three to a classic crusher, but with arbitrary bit selection. CONTROLS BIT In Isolate and Gate, selects which bit-plane is used, from 0 (LSB) to 7 (MSB). In Mask, sets the lowest bit that is kept, so it acts as a resolution control. Lower bits track fine detail and toggle rapidly; higher bits track the gross shape of the waveform. Range: 0 to 7 THRESH Input drive into the quantizer. The signal is divided by this value before being mapped to a byte, so lower settings push the signal harder into the 8-bit range (clipping into it sooner) while higher settings keep it quieter and more centered. It changes which bits are active for a given input level, and so reshapes the character of every mode. Range: 0.01 to 2.0 MODE Selects the bit-plane operation: Isolate, Gate, or Mask (see above). Switching mode changes what BIT means, so the two are best adjusted together. MIX Controls the balance between the unprocessed (dry) input and the processed (wet) output. At 0% only the dry signal is heard; at 100% only the processed signal passes through. Intermediate values produce a linear crossfade, useful for blending the harsher modes back under the source for parallel-style processing. Range: 0% to 100%

MNTRP is a drone instrument shaped like a journey: Earth to the Moon and back. A spaceship travels a figure-8 trajectory across the screen, and where the ship stands on that path IS the sound. There are no patches to browse — you play a position in space. THE TRIP The voyage passes through five stages, each with its own synthesis engines: • Liftoff — deep roaring engines, shaking metal • Interstellar — adventurous, airy drift (crossed twice: outbound and homebound) • Around the Moon — dark, mysterious, bowed strings • Reentry — the burn of coming home As the ship moves, the stages blend continuously into each other — a morph, never a switch. FLYING • Drag the spaceship along the path, or move the mission slider. • Or set a flight time (10–300 seconds) and press FLY: the ship flies itself and the sound travels with it. Missions loop — the entered time is one lap. Single-run mode lives in OPT. • The ship's position sets WHERE you are; the keyboard sets what sounds there. Nothing plays until you play. HOLD latches keys for hands-free drones. THE FIVE SHIP SYSTEMS The five big knobs mix the ship's systems, and each system keeps the same role through every stage: • ENGINES — the low floor: rumble, pedal, buffet • HULL — the ship's pitched voice • LSS — life support: the air • NAV — events and markers • COMMS — radio artefacts and telemetry TUNE Twelve shaping knobs under the TUNE panel: CUTOFF, RESO, DRIVE, TILT, TONE, SUB, ATTACK, RELEASE, GLIDE, RATE, DEPTH, SPACE. TRIPS — KNOB AUTOMATION Hold a still finger on any knob for two seconds to lock its value at the ship's current position — a red dot marks it on the knob's arc. Lock two or more points and the knob glides between them as the ship flies, around the full loop with no jump at the wrap. Name your trips, save them, load them. POV Press POV to ride in the cockpit: the Moon approach, the dark far side, Earthrise, the sun with its waving corona. Tilt your device to look around — the scene is a real 3D space in low-res pixel art: parallax stars, orbiting satellites, meteors, a photographed Milky Way. The sunlight follows your tilt, the terminator creeps across Earth and Moon — and at the right angle you can pull the Earth's shadow onto the Moon for an eclipse. AUV3 MNTRP ships as an AUv3 instrument and an AUv3 effect for hosts like AUM, GarageBand and Logic. The instrument is the full trip; the effect flies your own audio through the engines — the host signal bows the Moon's strings and feeds the reentry burn. Full state saving in the host; hardware MIDI in the standalone app. No accounts, no network, no data collected. Just the trip.