Audio Interface Recorder vs Scouter Synth

AudioRecorder turns your iPhone or iPad into a clean, no-nonsense recorder for your USB audio interface - in the studio, at home, or on stage. Plug in your interface, choose your inputs, and capture uncompressed 24-bit WAV at your hardware's native sample rate. No conversion, no color - just your signal. Built for musicians and home studios who want a dependable capture tool without launching a full DAW. RECORD • Works with any class-compliant USB audio interface • Uncompressed 24-bit PCM WAV at the interface's native sample rate - never resampled • Mono, stereo, or mono-sum capture • Choose exactly which inputs feed Left and Right, so a multi-input interface lets you pick any two • Live level meters with a peak readout and clip indicator for dialing in gain • Preview the input before you commit to a take • A big, unmissable record button and elapsed timer STAY IN CONTROL • Live "time remaining" estimate from your free space, with a low-space warning • The screen stays awake while recording, so the meters never dim • Interrupted takes - a phone call, an unplugged cable - are saved as partial recordings, not lost LIBRARY • Play back with scrubbing • Rename, delete and organize your takes • Share via AirDrop or Files, or export straight to a USB drive SETUP HELP • A built-in connection guide shows exactly how to wire things up, with diagrams for both USB-C and Lightning devices WHAT YOU NEED • A class-compliant USB audio interface • If your iPhone or iPad has a USB-C port, then the Audio Interface will work without external power • On Lightning devices, an Apple Lightning to USB Camera Adapter is needed and the Audio interface needs a source of external power AudioRecorder does one thing and does it cleanly: get the signal from your interface onto your device, uncompressed and intact.

ScouterSynth is a music tracker built like a handheld console. Eight tracks, a D-pad, two buttons, and no menus — every operation is a chord you can play with your thumbs. WRITE Phrases of sixteen rows, chains of phrases, and a song made of chains. Write a bassline once and place it four times with different transposes; change it later and every one of those places changes with it. Phrases can be shorter than sixteen rows, so six-eight is as easy as four-four. SOUND A synth voice per track — saw, pulse with PWM, triangle and sine, through a resonant filter and an envelope — or a sample, played whole or sliced. Wavetables for the sounds a plain oscillator cannot make. Per-tick tables for automation that runs faster than a row. SAMPLE Import from anywhere on your phone, or record straight into a slot from the microphone. MP3, AAC, M4A, AIFF and WAV are all converted on the way in. Whatever you choose is copied into your project, so a saved song carries its audio with it. MIX Ten lanes on one screen — eight tracks and two send buses — with level, pan, mute and solo, and three effect slots on each: filter, bitcrush and a tempo-synced delay. Watch the desk as a set of numbers or as ten live traces. PLAY A performance pad wires any two parameters to an X and a Y axis and moves every track at once. A grid of twelve pads holds six punch-in effects — an octave down, tape slow, a stutter, a bitcrush, a high pass and a low pass — held rather than latched, so nothing can be left on by accident, and six one-shot samples to fire over the top. SEE A radar sweep that reads the mix by frequency, a scope on the output, and six palettes to put it all in. INTEGRATE MIDI in and out with clock. A Bluetooth game controller, mapped button by button to whatever pad you own. Export the whole arrangement to a WAV. Songs, samples and exports all sit in the Files app where you can reach them. No accounts. No subscriptions. No network. The manual is inside the app — press SELECT and B on any screen.